Mariya Ignatenko

Victor was having a wash in his cabin when the boatswain called him to the phone. Although Victor had already heard: “Nika died”, he shouts all the same: “I can’t hear!”. Victor goes onto the mainland. After two days without sleep he reaches the hospital. When the doctor has finished speaking, Victor indifferently turns away to the window. All the details of this view from the window suddenly feel closer to him. Victor goes outside. The street is fast asleep. The entire town is asleep, as if extinct. But everything is breathing, snoring, muttering in a dream. This sleeping town is like a nightmare. In this nightmare those helplessly asleep are intertwined with the memories of his love. Victor wanders around the town in search of a person who is also, like him, on this side of reality. And he finds him.

The naïve Maris joins the Wehrmacht during the Nazi occupation of the Baltic states, together with his brother and several others from the village. The barracks are in a monastery, and Maris – whom everyone views as a fool – seems to consider his fate a religious calling. Until his eyes are opened by the soldiers’ misbehaviour, and he takes it upon himself to save a young woman.

The Criminal Man tells the story of the main engineer of a factory, 25-year-old George Meskhi, who has accidentally witnessed the killing of a famous goalkeeper. All this turns his life upside down. George begins to follow the young and beautiful wife of the goalkeeper and becomes interested in everything related to this crime. He studies the faces of the criminals, looking for a clue to some mystery in them. This is a film about a metamorphosis and about the birth of a murderer.

The 'Yuha' a story of obsession and despair, two fillings interlinked with true love.