Juanjo Menéndez

Alfredo is a homeless man who happens upon a truck full of fruit that appears to be abandoned and takes the opportunity to eat some. Once he's satisfied his hunger, he discovers a fortune inside one of the crates. It's the loot hidden by some thieves who crash during their getaway. Frightened, he hides the money under the church statue and confesses what happened to the local priest. The situation worsens when the robbers reappear in town.

As a young woman, Tristana is orphaned and taken under the guardianship of Don Lope, a respected member of the community, who takes advantage of his innocent charge. When Tristana falls in love with artist Horacio, she must learn to be more assertive in order to achieve independence from her nefarious guardian, or her blossoming relationship with Horacio is doomed.

Don Fernando is a senior engineer of Sevilla for years as a partner had a friend working. But his partner died and his son, Albert, wants to take the management of the company and the farm, one of the most important of Seville, whose property also shared. Alberto secretly courting Esperanza, a daughter of Don Fernando. Juan Antonio, the son of the late foreman of the farm, is an honest young man who, in silence, also loves Esperanza. Both will vie for her love.

Left on the doorstep of a monastery as an infant, Marcelino was raised by the monks. He was well-cared for but lonely and missed having a mother. One day he found a special friend in the forbidden attic, hanging on a cross. A friend that would repay Marcelino's kindness by granting him one heart-felt wish.

An Englishman with a grudge against an insurance company for a disallowed claim fakes his own death and escapes to Spain, but is soon pursued by an insurance investigator.

Roberto decides to ask for permission at the office because he suspects his wife has a lover and wants to catch her. A friend of the protagonist offers to investigate the woman with the intention of giving sufficient evidence of thedeception. However, he soon discovers that his wife knows his plans.

Adapted from a comedy of the brothers Alvarez Quintero, raised in a spirit rather routine and a remarkable lack of imagination. The minor nature of the adapted work greatly limited their chances, but there was no resolution film the slightest hint of creativity, merely a recreation under the sign of awkwardness.