Kristina Adolphson

As children in the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After their father dies unexpectedly, however, the siblings end up in a joyless home when their mother, Emilie, marries a stern bishop. The bleak situation gradually grows worse as the bishop becomes more controlling, but dedicated relatives make a valiant attempt to aid Emilie, Fanny and Alexander.

A psychiatrist temporarily separated from her family begins to experience severe psychological distress while working at a mental hospital and returning to her childhood home. As her professional responsibilities and personal relationships intersect, she undergoes a breakdown that forces her to confront long-suppressed memories and fears. (Note: This entry refers to the 1976 theatrical feature film (approximately 135 minutes), created by condensing and re-editing the four-part Swedish television miniseries originally produced the same year.)

Don Juan is sent from Hell to Earth with a mission: to seduce a virgin in order to spoil her pure wedding. The mission becomes frantic when Don Juan falls in love for the first time in centuries.

The young high school graduate Göran and the 17-year-old Kerstin get to know each other on the estate of Göran's uncle Persson and fall in love. But their relationship is watched suspiciously by the jammed adult world. While Persson has an understanding of the youth, Kerstin's parents and the pastor of the village rant against the alleged immorality of the young people. Despite all the malice, Göran and Kerstin decide for their love. But this love should last only one summer.

This intimate chamber drama, set in a maternity ward, follows the emotional crises of three women as they grapple with motherhood.

Five conversations frame a flawed marriage in this film written by Ingmar Bergman about his parents. Guilt-ridden wife Anna (Pernilla August) divulges an extramarital affair to a priest, her uncle Jacob (Max von Sydow). He presses her to confess her sins to her husband, Henrik. As the film moves back and forth in time, the notion of truth is tested. Tomas, the lover, and Henrik will find that Anna's confessions do not absolve anyone, and have the power to inflict more pain.

A Professor comes home carrying a paper bag with food. Among the goods in the bag is apricot jam. His wife reacts strongly, since they always have eaten orange marmalade. The Professor leaves his house and checks into a hotel.