Sebastián Mega Díaz

A first date, a night out drinking on the streets of Madrid, a drunk vampire woman who doesn’t notice the sun that’s coming. A boy who doesn’t understand what he’s getting into.

Argentina, 2038. The country seems abandoned, and the first extraterrestrial experiments occupy mountains and roads. A father travels with his eight-year-old daughter, who is experimenting with telekinetic powers, and a baby. Portrait of a deeply Argentine dystopia.

A rockumentary that portrays a very particular moment in the life of the rock group Banda de Turistas from within, in such an intimate way that it will make us enter that beautiful chaos that is rock and roll.

A romantic comedy in a romantic comedy about love and how to build it. He is romantic, shy. She is realistic, energetic. After twists and turns, together they go home. While those credits are shown, he and she, 5 years later, end up watching the movie. They both met during the filming of a movie he directed. Currently, they are a stable couple, but going through a crisis.

A documentary about the housing situation in Buenos Aires. It shows how access to housing, which is both a human and constitutional right, is an issue that affects all social classes since it is entangled with the market.

In 1971, the graphic and advertising artist Juan Fresán set out to film the story of Orélie Antoine de Tounens, the delirious Frenchman who 100 years earlier had proclaimed himself ‘King of Patagonia and Araucanía’, with his own constitution, currency and ministers. The film, titled "New France," was left unfinished, first due to lack of funds and then because its author had to go into exile. If the story is familiar to many today, this is because in the '80s Carlos Sorín made' The King's movie ', inspired by that frustrated shoot, in which he had worked as a cinematographer. In 2004, Fresán contacted Turturro to help him rescue the preserved film. Fresán died in that same year, but Turturro decided to retake the trace of that truncated film, exhuming unpublished materials, returning to their original settings and gathering testimonies, to illuminate the two stories - one within the other - that make up this true story, more strange and fascinating than any fiction.

Ulises wakes up one day and finds that his girlfriend, Alma, is missing. He embarks on an intense search that reveals hidden aspects of her life which connect to the time they spent together to lead Ulises to investigate a professor of hers and her obsession with a book by Borges. When Bianca, Alma's twin, shows up, circumstances escalate quickly to make Ulises commit a crime just so he can find Alma again.