María Casanova

Acting

María Casanova

Born January 1, 1950 (age 76)

No biography available.

Known For

TobiTobi · 1978
Tobi
5.11978
MovieComedyDrama
A story about a little boy who grows a pair of wings on his back, giving him the appearance of an angel. The boy draws the attention of his community including doctors, scientists and schoolmates. The wings are surgically removed but eventually they grow back.
I picariI picari · 1987
I picari
5.51987
MovieComedy
The adventures of a couple of scoundrels in the Spain of the 16th century.
The WorkerThe Worker · 1983
The Worker
5.81983
MovieComedy
Manolo is an electrician, plumber, bricklayer ... a hard worker. To his friends Manolo strange fate that gives as much money wins. And when asked, he answers laconically Oh, if I told you! What counts is that Manolo has a daughter in one of the inner most expensive schools in Madrid, and that it believes that his father is a senior executive, as any parent of her companions. The problem begins when the school closed by economic crisis, and the girl has to come live with her father. But Manolo find the collaboration of his friends, who will make the eyes appear currante small as a great man of finance. Adaptation "Spanish" the American film "A Pocketful of Miracles".
Double FeatureDouble Feature · 1984
Double Feature
5.51984
MovieDrama
Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.
El señor GalíndezEl señor Galíndez · 1984
El señor Galíndez
8.01984
MovieDrama
El senor Galindez is a Spanish movie starring Antonio Banderas
El crack dosEl crack dos · 1983
El crack dos
6.91983
MovieDramaThriller
Private detective Germán Areta el Piojo investigates the life of a gay man who has apparently abandoned his partner. When they both turn up dead, it seems one killed the other before committing suicide, but Areta is not convinced.
El crackEl crack · 1981
El crack
7.21981
MovieDramaThriller
Private detective Germán Areta el Piojo gets a terminally ill client who wishes to see his long lost, runaway daughter before he dies.
Alone in the Small HoursAlone in the Small Hours · 1978
Alone in the Small Hours
6.31978
MovieDrama
Jose, a journalist and radio broadcaster, runs a daily program which has garnered a huge national audience as a satirical chronicle of Spanish society in the democratic transition of the late 1970s. Married and separated from Elena, Jose has two children, whom he only sees from time to time. Then he meets Maite, younger than him, outgoing and more open-minded than he wants. The emotional shock caused by his relationship with these two women will change his pessimistic view of life.

Filmography

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Double FeatureDouble Feature · 1984
Double Feature
5.51984
MovieDrama
Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Graciela dos Santos Varela 'La Mala'