Emmanuel Miño

Mateo and Camila, a couple that allow each other being unfaithful with a unreachable someone chosen by each.

In this poignant period drama set in 1960s Argentina, a young woman, struggling to raise her twin daughters alone after the tragic death of her husband, accepts the courtship of a charming but mysterious older suitor.

Eight years after the first installment, Ailén, Fernando, and Nina, meet again in the BAFICI competition. From that reunion, they decide to resume their unfinished project: Tandil/Tromso. They bring along two new collaborators: Martín and Nancy.

A couple without children, a couple with three children and a gay couple with a son from a previous marriage, four stories intertwine.

A woman finds new meaning in her life after her housekeeper quits her job.

This Argentinian dramedy gives us elements of Woody Allen’s nervous comedy and Cassavetes’ melodramatic roller coaster in a storm of egos that takes place on one decisive weekend in the lives of Juana, a popular actress about to star in an important theater production, and her husband Roman, a director suffering from writer’s block. The couple’s daughter, Lila, serves as a mirror reflecting her parents’ frustrations and joys. The long takes, atmospheric music, and stellar performances, give a poignant, sometimes hilarious portrayal of a family as they attempt to negotiate their egos with their marriage and artistic lives.

On her wedding day, Adrian, nervous, make a small mistake that aims to hide Leonora, his girlfriend, to avoid problems. But far from avoiding them, complicates the matter and the party runs the risk of end badly, like the future marriage of the couple.

A teenage pop music star who is taking advantage of her rise to fame, another young woman with a more rebellious spirit, a young man who is always in love and a handful of low-level criminals make up a group of characters that have something in common: a shared destiny with an uncertain future.