Cindy Lou Adkins

Kale has a life most teenagers would envy. He spends his days endlessly playing video games, surfing the net, eating junk food and watching cable. He has complete free reign of the house, and a beautiful young hottie named Ashley has just moved in next door. There’s only one problem—he’s not allowed to leave the house. Kale’s under court-ordered house arrest for three months, and if he takes one step beyond a 100-foot perimeter of the house, his next confinement will be in a real prison.

Wally, a struggling playwright and actor, reluctantly agrees to catch up with his old friend Andre, a theater director who disappeared several years prior in order to travel the world. Meeting at a posh Manhattan restaurant, the two share life stories, anecdotes and philosophical musings over the course of an evening meal.

Haunted by a failing relationship, Gabe devises a risqué game for escape. He invites Irene to dinner at a lavish mansion. Unhappily married, Irene finds the temptation irresistible when Gabe invites her on a second date. To her surprise, she meets him at a humble suburban home. Playfully, Gabe admits that he broke into both houses for their trysts. A frightened Irene returns to her husband. Unable to make peace with his past, Gabe escalates his pursuit of Irene, who ultimately surrenders to the thrill of abandoning her life and having sex with Gabe in strangers' homes. House after house they push the limits, defying reality by living stolen lives. But is there really an escape from life? And how far can they go before their past catches up with them?

An investigation into the tragic end of Apollo 18, the last US mission to the moon in 1973.

Andre has known a lot of war, he comes to Los Angeles to change his life. Taking a job as a nightclub bouncer he learns, that for some men, change is impossible.

In 1968, in 1/500th of a second Eddie Adams photographed a Saigon police chief, General Nguyen Nyoc Loan, shooting a Vietcong guerilla point blank. Some say that photograph ended the Vietnam War. The photo brought Eddie fame and a Pulitzer, but Eddie was haunted by the man he had vilified. He would say "Two lives were destroyed that day, the victim's and the general's." Others would say three lives were destroyed. Eddie Adams, like most artists, was tortured by his need for perfection. Nothing he did ever satisfied him. He carved out many careers shooting covers for Life, Time, and even Penthouse. Yes somehow, he was always pulled back into documenting wars, 13 all together. Finally he hit the wall and couldn't take it anywmore. He began shooting celebrities because 'It doesn't take anything from you.' Eddie was comfortable with kings and coal miners. During his time with Parade Magazine he photographed Clint Eastwood, Louis Armstrong, Mother Theresa, and Pope John Paul II.

Fate brings filmmakers together in Israel in April of 2003. They begin a documentary about a live music blues bar by the beach in Tel Aviv called Mike's Place. The aim is to show there is more to the Middle East than seemingly endless war and terrorism. Filming people having a good time stops abruptly when harsh reality hits Mike's Place and changes the course of their film

Family attorney and mom, Lynn Holt, has had to scramble to keep her family and her law firm together, since her husband left her and took most of their joint law practice with him. Although the attorneys are carting plenty of life's baggage, they're all determined to make the most of this unexpected second chance—and make each month's mortgage payment.