Laure-Lucille Simon

Set in Belle Époque France, the story follows nineteen-year-old "hysteria" patient Augustine, the star of Professor Charcot's experiments in hypnosis, as she transitions from object of study to object of desire.

A normal working day on a construction site. Thomas, a 40-year-old crane operator, receives a call from his wife asking him to pick her up from the hospital. He finds her crying.

Mina is in Cannes to perform three nights during the Festival. She hangs out in cozy clubs and hotel rooms, moving from the arms of lovers to those of friends. There is Mina the performer, but also Mina the Italian singer of the 1970s, whom Mina summons to the stage every night.

Freely adapted from a Virginia Woolf text, Marie Alberto Jeanjacques takes a leaf out of her book to declare, “there is a great uprising of the material.” Moreover, such great agitation, described almost relentlessly and even audibly in the sound work like a busy, incessant rumour (from the voice of a female surgeon operating, equally to that of Londsdale), of a well-kept secret.

A company sets up management sessions using virtual reality. Employees talk Bio their dreams, aspirations and difficulties in a fictitious world. Slowly, the real space merges with the digital environment.

Michel, the jovial owner of the only café in a small Normandy town, sees his life turned upside down when his teenage daughter is murdered. The community has his back but soon rumor spreads and Michel is singled out. From the ideal father, he becomes the ideal culprit.

Who remembers Pierre Céran? Nobody except Louis, his old friend, who is worried about not having any news. Especially since the last time he saw him, Pierre Céran was not well. Louis goes to look for him.

A History of Darkness summons the figures of Nero, Dante, the Marquis de Sade and Ludwig II in the intoxication of their obsessions, between ecstasy and damnation, fascination and repulsion. A family portrait teetering on the edge of the abyss.