Richard Rautjoki

An East Coast community in Ruatōria, New Zealand attempts to live in autarchy according to the tenets of their movement. Bob Marley, a prophet of our electronic age, is the soundtrack to the everyday lives of these Māori who feel closer to their own roots by observing a blend of Afro-Carribean Rastafarianism and the Ringatū faith. Merata Mita's camera respectfully portrays this singular cultural dialogue. The outsider cultures of Jamaicans, Ethiopians and Māori have come together, vibrating to a common cosmic chord. They find an underground brotherhood, across continents and seas.

With the resurgence of taonga pūoro, one musical instrument remains conspicuously absent from Māori music —pahū (drum). In this documentary Te Pahū, composer Hirini Melbourne (ONZM) and ethnologist Te Warena Taua trace the history of pahū, from musical accompaniment to being the manawa (heart) of communication and communities. Musicians and carvers bring to life the lost beat of pahū by creating a version using modern techniques. Pioneering Māori filmmaker Merata Mita (Patu!) directed Te Pahū, while Rawiri Paratene (Whale Rider) co-wrote and produced it.