Anatole Dauman

Production

Anatole Dauman

Born February 7, 1925 · Warsaw, Poland

Died April 8, 1998 · aged 73

Anatole Dauman (7 February 1925 in Warsaw – 8 April 1998 in Paris) was a French film producer. He produced films by Jean-Luc Godard, Robert Bresson, Wim Wenders, Nagisa Oshima, Andrei Tarkovsky, Chris Marker, Volker Schlöndorff, Walerian Borowczyk, and Alain Resnais. He was a principal figure in Argos Films, a company that was a very important vehicle in creating opportunities for the "Left Bank"…

Known For

In the Realm of the SensesIn the Realm of the Senses · 1976
In the Realm of the Senses
6.61976
MovieDramaRomance
A passionate telling of the story of Sada Abe, a woman whose affair with her master led to an obsessive and ultimately destructive sexual relationship.
Paris, TexasParis, Texas · 1984
Paris, Texas
8.11984
MovieDrama
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
The Tin DrumThe Tin Drum · 1979
The Tin Drum
7.01979
MovieDramaHistory
In 1924, Oskar Matzerath is born in the Free City of Danzig. At age three, he falls down a flight of stairs and stops growing. In 1939, World War II breaks out.
Immoral TalesImmoral Tales · 1974
Immoral Tales
5.91974
MovieDramaRomance
Four erotic tales from various historical eras. The first, 'The Tide', is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, secluded from prying eyes. 'Therese Philosophe' is set in the nineteenth century, and concerns a girl being locked in her bedroom, where she contemplates the erotic potential of the objects contained within it. 'Erzsebet Bathory' is a portrait of the sixteenth-century countess who allegedly bathed in the blood of virgins, while 'Lucrezia Borgia' concerns an incestuous fifteenth-century orgy involving Lucrezia, her brother, and her father the Pope.
Night and FogNight and Fog · 1956
Night and Fog
8.31956
MovieDocumentaryHistory
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Wings of DesireWings of Desire · 1987
Wings of Desire
7.81987
MovieDramaFantasy
Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds — with some words of wisdom from actor Peter Falk — that it might be possible for him to take human form.
Hiroshima Mon AmourHiroshima Mon Amour · 1959
Hiroshima Mon Amour
7.71959
MovieDramaHistory
The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.
Until the End of the WorldUntil the End of the World · 1991
Until the End of the World
6.71991
MovieDramaScience Fiction
In 1999, a woman's life is forever changed after she survives a car crash with two bank robbers, who enlist her help to take the money to a drop in Paris. On the way, she runs into another fugitive from the law — an American doctor on the run from the CIA. They want to confiscate his father's invention – a device which allows anyone to record their dreams and visions.

Filmography

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ValparaisoValparaiso · 1964
Valparaiso
7.01964
MovieDocumentary
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.

Producer