Todd Verow

An ex-junkie, ex-stripper, demolition derby driving bartender who has finally settled down, tries to get her on the run girlfriend to stay with her. An East Coast woman who's marriage of 34 years has abruptly ended, goes to Hollywood to try to reconcile with her estranged daughter and her own abandoned dreams. Two guys celebrate their ten year anniversary by imagining ways they might have met and how they might eventually break up. A washed-up B-movie extra, who's star on the walk of fame has been somehow 'misplaced' years ago, befriends a punk rock girl whose boyfriend has just ditched her and his guitar.

In the 1970s, the golden age of gay pornography in New York City, a promising chorus boy is injured and told he will never dance again. Distraught and unimpressed with the "art" films playing seedy Times Square theaters, he gets his friends and lovers together and they start making their own hardcore movies. Against all odds the films are wildly successful until drugs, AIDS and cheap video technology bring it all crashing down

Todd Verow's experimental narrative feature heralding the end time. Split up into 20 short films, the film explores the fear and longing of several characters as they wait for some unspecified apocalyptic event. Some try to escape physically, emotionally or sexually while others welcome the end with open arms. A woman (PHILLY) is busy dragging her own corpse, trying to find a resting place for it, when she encounters an old lover (MICHAEL BURKE) who used to be a she but has transitioned to a man. He wants to get out of town but she wants to stay it's the end of time when nothing is a crime. Several gay men engage in more and more extreme sexual activity, they want to experience it all before the big collapse. Two gay ex-lovers try to reconnect and feel something, anything but total emptiness. Porn actors and producers make more unsafe films as fantasies grow darker and more violent. Will the world end with a whimper or a bang? Or worse will it not end at all.

Filmmaker Todd Verow revisits his own youth in this film. The film's main character is Joe, who, like the director, grew up in Bangor in Maine. Joe, an 18 year old high school senior who longs to move away from poor white trash roots and this town, and dreams of attending art school, lives with his single mother and older sister Theresa on a notorious council estate called "Capehart Projects". Molested at the age of ten, Joe nevertheless decides to keep the incident to himself. He befriends an elderly disabled artist named Victor who hires him as houseboy/model. Joe moves in with Victor in his loft above the local opera house, hoping to escape Bangor with his help. He also works part time at a local market along with his sister, who wants to get out of town as much as he does. For most of high school, Joe has also had a crush on his best friend, Andrew, who plays on the high school football team.

Russell has two passions: watching television and farting! He also loves Heather. Heather HATES farting. The eternal triangle! One day she warns him, "if they ever allow farting on television, you'll never leave the house!" One evening he goes to sleep in front of the TV, and "it" happens. Virtually everything on TV is fart related, from sitcoms and commercials, to newscasts and dramas.

Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.

Two men embark on an unconventional romance in Todd Verow's sexy Parisian-set drama. Claude finds a young man passed out in the street and, taking pity on him, decides to take him to his apartment to safely sleep. Awakening the next morning, the sexy stranger soon makes a play for his forty-something host, kick-starting a passionate romance. But will the chance meeting develop into more than just lust or will the pair's differences drive them apart? An accomplished, serious and very modern gay romance .

A man finds himself homeless after a fight with his significant other.