Julie Lopes-Curval

In the 1950s, Louise left her husband when their children were still little. She was never heard from again. Her daughter Martine stayed in the small seaside town, where she became a doctor. Martine's daughter, Audrey, a thirty-year-old independent woman, returns to visit her parents. By chance, she finds a notebook that belonged to her grandmother, a diary that may at last explain her departure. Will it reveal the things left unsaid, that have altered the relationships within the heart of the family ever since? In it, will Audrey find answers to the questions that she is asking herself about her own future?

Seaside takes place in a small coastal town on the Bay of Somme. The year-round inhabitants find ways to make their lives work; Paul, a lifeguard in the summer, works at the grocery all winter. His mother, Rose (Ogier) likes to play the slots just about anytime; his girlfriend Marie works in the local factory - the town's biggest business - but watching the summertime vacationers each year just makes her increasingly curious about what else might be out there. From these and several other stories, aided by close, revealing observations, we see a community perched between transition and stasis.

Class barriers threaten the budding romance of two young lovers striving to realize their artistic ambitions.

In Paris, Ariane and Lena are sisters. Ariane writes photo novellas for the magazine "Toi et Moi." She's emotional and her long-time boyfriend, Farid, has her in a state because he won't propose, won't ask her to live with him, and often is unavailable. Lena is a cellist, quiet and circumspect in life and in her playing. She lives without passion with her boyfriend François; they're talking about having a baby.

Tired of being bossed around, Jean-Jacques, a talented cook quits his job to start up his own restaurant. He does a business course run by Claude, a frustrated writer. Lacking the necessary capital to get started, Jean-Jacques realizes that his dream may come to nothing. He stresses out, can’t sleep, starts taking tranquilizers mixed with alcohol.

A humble copy editor becomes a personal assistant to her favorite actress and eventually loses herself both in the actress' demands and her own ego.

Annette, 38, answers an ad from Paul, a farmer. She has only met him twice when she and her son Eric move in with him in the dead of winter. There Annette has to face Paul's hostile sister and her own past, which soon catches up with her.