Rufus Norris

Three suburban English families' lives intertwine with tragic consequences.

Mona, Billy and Elaine are a tough trio known as the "Angels." While they are on vacation in Malaysia (Kuala Lumpur), they find out that one of Billy's school-chums is now a gun-runner plotting a revolution in Malaysia with his private army. The Angels decide it is up to them to stop him.

The ruined aftermath of a bloody civil war. Ruthlessly fighting to survive, the Macbeths are propelled towards the crown by forces of elemental darkness. Shakespeare’s most intense and terrifying tragedy, directed by Rufus Norris, sees Rory Kinnear and Anne-Marie Duff return to the National Theatre to play Macbeth and Lady Macbeth.

The strange and brutal deaths of Cory’s grandparents has haunted him for years. Determined to discover the truth, he has returned to the desolate region where they lived, along with a group of friends, to try and uncover the mystery. Ignoring warnings from the locals that the area is cursed, Cory and his friends soon realize that the legend is true, as the Demon Wind, possesses and destroys them, one by one, turning them into monsters from hell.

Autumn, 2006. The everyday life of the Suffolk town of Ipswich is shattered by the discovery of the bodies of five women. The occupant of No. 79 London Road is arrested, charged and finally convicted of the murders. Caught in the headlines and the invasion of their quiet road, the community grapples with what it means to be at the epicentre of the tragedy. Using their own words set to an innovative musical score, London Road is a moving story of ordinary people coming together during an extraordinary time. Director Rufus Norris, writer Alecky Blythe, and composer Adam Cork reunite for this highly anticipated return of the remarkable, award-winning verbatim musical.

Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.

India is surging with global ambition. But beyond the luxury hotels surrounding Mumbai airport lies a makeshift slum, full of people with plans of their own. Zehrunisa and her son Abdul aim to recycle enough rubbish to fund a proper house. Sunil, twelve and stunted, wants to eat until he’s as tall as Kalu the thief. Asha seeks to steal government anti-poverty funds to turn herself into a ‘first-class person’, while her daughter Manju intends to become the slum’s first female graduate. But their schemes are fragile; global recession threatens the garbage trade, and another slum-dweller is about to make an accusation that will destroy herself and shatter the neighbourhood.

When the comedy duo Gus and Andy are forced by their manager to form a trio with a talented actress, their working relationship gets strained.