Lutz Stückrath

It's the roaring twenties in Berlin. The Tigress, a gorgeous, wild, and very independent street walker, falls for a handsome grifter. When one of her lovers gets jealous, she betrays him and has to skip town. The grifter reveals he has what it takes to move in upper class circles and suggests they flee to Carlsbad, a spa in Czechoslovakia. Does he love her or is he only using her? Is the Tigress madly in love with him or does she want to satisfy her vanity and drop him once he falls for her? The ancient cat and mouse game between a man and a woman unfolds amidst sensual seduction, the scheme of robbing a rich Texan and the jilted lover arriving from Berlin, gun drawn.

One day, the happily married Karl Lehmann is asked by his single colleague, Mrs. Schmidt, for an unusual service: She wants a child. Lehmann is willing to help. His wife Inge and Mrs. Schmidt have a child at the same time, and since the women like each other, they make an agreement. They share Karl Lehmann. One week Inge gets him, one week Mrs. Schmidt - always alternating. It could be nice if it weren't for the prudish, shocked or even envious people around them. However, some see it in a positive light. A Mr. Schmidt is interested in Inge's week off and a colleague Lehmann is interested in Mrs. Schmidt's week off. And it's not long before Mr. Karl Lehmann is booted out and seeks refuge with a waitress.

The armouring soldier and writer Werner Bertin is ordered to the Western Front to France during the First World War. The use before Verdun - with all the horrors of war in the period 1916/1917 - brings a fundamental change of consciousness for the academic from Berlin. The intellectual devoted to bravery by fate develops into a disappointed but rebellious being. He sees more and more the injustices of warlike conflicts and their social causes.

Old Otto Gratzick is a porter at DEFA and a great admirer of Asta Nielsen. When the famous actor Hermann Gschwindner dies shortly before the end of his film, the director is looking for a double for the final scenes and discovers Otto in the movie theater, who has just been moved by Asta again. Otto takes on the task. He also places a marriage advertisement looking for a woman who resembles Asta. The first date with Astrid, who does indeed look like Asta, is a flop. Otto falls asleep. He tries again with her - as Hermann Gschwindner - and is successful. He is recognized in a hotel bar and asked to perform a song. Everyone, including Astrid, is entranced. After a few complications, his real identity is revealed - Astrid had also done a lot of work to look like Asta.

A commercial artist with a lisp chooses silence, unexpectedly propelling his career. His perceived innovation leads to rapid advancement in an ad agency. Mueller-Stahl shines in this biting critique of East German workplace culture.

The shy detective Serafim Schröder is still relatively new to the police force. That's why he doesn't yet know all of his employer's rules and regulations and "borrows" a confiscated BMW to impress the attractive student Maria. She is very impressed, not only by the fancy car, but also by the fact that Serafim is a real cop. When Serafim accidentally gets on the trail of a crime and Maria sees him at work, his reputation with her increases considerably...

In the 1930s, the Soviet ship "Chelyuskin" embarked on an expedition to the Northern Ocean. But soon there is an accident in the ice and the team can save themselves on an ice floe. Two months, the over one hundred people have to persevere there until rescue from the air finally approaches.