Eliza Wong

One night, in a nearly closing bakery, an elderly couple—owners for 40 years—plan to finalize their divorce and split a vintage bread table that holds their shared memories. With a massive two-person crosscut saw, they aim to divide the table and express the unspoken emotions of their four decades together.

The protagonist of the play, an old lady, due to her old age and an accident that resulted in her fall, caused her children to begin feuding one another for the family’s fortune. While some are pressured due to their living environment, others just hope to live a simple life. After a series of events however, the siblings choose to hurt one another and ignore the importance of being a family. In the end, with the help of the old lady’s teachings and her unyielding faith in family principles, the ending of the story changed for the better…

Brothers Am (Shaheizy Sam) and Ad (Syafie Naswip) are involved in a baby-selling syndicate run by a woman known as Mama. As they progress, a friend's sister, Hawa (Sara Ali) gets involved too and Ad can no longer turn a blind eye. However, his moral struggle starts to shake his relationship with Am.

Sandra, a middle-aged mother, has long devoted herself to her family, quietly setting aside parts of herself that once felt alive. When she inherits her late brother's bicycle, an impulsive ride leads to an unexpected victory. This sudden recognition begins to unsettle the stillness of her carefully ordered life. As attention grows, the delicate balance within her marriage begins to shift. Long-suppressed dreams, disappointments, and silences between Sandra and her husband rise to the surface, unsettling the roles they have long taken for granted. Caught between the family and the pull of desire, Sandra is drawn into a disorienting second act, where change arrives uninvited, bringing both possibility and consequence for both husband, wife and family.