René Daalder

Maimed by bullies at a California high school, a new student engineers acts of revenge.

In another dimension, the villainous scientist Duke of Zill, with the help of his mechanical, geometric army, ultimately takes over the golden kingdom of Oriana, where Duke has just escaped exile! But Felix the Cat must bravely save Princess Oriana and restore order once again, from her terrible Uncle Zill and his smoke-belching mechanical troops before he can put his sinister plot into action!

In order to combat the damage caused by the depletion of the ozone layer, maverick biologist Hank Symes unleashes his most ambitious experiment to date: accelerated evolution. Unfortunately, this not only causes the authorities to take notice, but also creates a backlash from his new neighbors--leaving his son caught in the middle.

Legendary actor Patrick McGoohan turns his famous character from THE PRISONER upside down as the psychiatrist in charge of an insane asylum. He has connected his inmates into a group mind where they share each other's psychoses, dreams and sexuality with all the scary and titillating implications imaginable! Like his highly acclaimed cult classic MASSACRE AT CENTRAL HIGH, director Rene Daalders provocative excursion into sci fi-horror filmmaking looks at first glance like a classic grindhouse movie, but it is up to much more. In addition to its operatic mayhem, HYSTERIA is a mind-expanding reflection on individual vs. group consciousness, power, control, and freedom.

A man becomes an extremist after a military official disrespects his country.

A defense contractor who somehow becomes the sole survivor of a nuclear holocaust. In his solitude, he traces the history of U.S. civilization in the 20th century through musical numbers.

The life and work of enigmatic Dutch/Californian conceptual artist Bas Jan Ader, who in 1975 disappeared under mysterious circumstances at sea in the smallest boat ever to cross the Atlantic. As seen through the eyes of fellow emigrant filmmaker René Daalder, the picture becomes a sweeping overview of contemporary art films as well as an epic saga of the transformative powers of the ocean.

A man visits his girlfriend in Amsterdam after the war. He soon finds himself, for inexplicable reasons, in a country house where two women as 'white slaves' have to learn all kinds of erotic skills, and where a private detective, who has sold his own wife to an Arab in Tangier, comes to investigate.

An iconoclastic first film from the headstrong teenagers of the 1,2,3 Group, who took turns to write, direct, and star in a series of irreverent skits.

To vent his own fears of divorce, Bromet follows a divorced 36-year-old woman, Hiske, a mother of two and working as an educational psychologist, through 'the laboratory of happiness'—the playgrounds of the 'me' era—with his camera. Through the life and experiences of this woman, he wants to discover what leads someone to—and what they hope for—from a divorce. The woman ends up in, among other places, a gay sauna, a group sex event, an institute for dynamic meditation, a maternity ward, and a sperm bank. Hiske professes that she is divorced in order to be able to search for her own possibilities without hindrance and regrets that her children no longer have a father. Frans calls her cruel because she took her husband's children away from him. Moreover, he is reinforced in his conviction that women do not wish to delve into men nearly enough.

The film is set in a signalman's house during the German occupation. When it turns out that the mother has committed adultery with a German, things start to go downhill for the father. Germans take over his land, and his children fend for themselves.