Josh Appignanesi

Maggie is an uptight, single mother and college writing teacher from New York City. In an effort to reconnect with her troubled teen daughter Summer, she decides to embark on a journey to a Tuscan village where she frequented in her younger days. Upon arrival, Maggie runs into Luca a handsome former lover who is still a bachelor and lives with his eighty-year-old mother Carmen. Summer (missing her “bad boy” boyfriend in NYC) and Carmen (secretly planning a wedding against Luca’s wishes to MARCELINO, her one true love in Rome) impulsively steal Luca’s car and race off to Rome. Maggie and Luca quickly pursue allowing the two mismatched couples to spend some time together and develop a new understanding of each other.

Based in a London suburb Mahmud Nasir lives with his wife, Saamiya, and two children, Rashid and Nabi. His son plans to marry Uzma, the step-daughter of Egyptian-born Arshad Al-Masri, a so-called 'Hate Cleric' from Waziristan, Pakistan. Mahmud, who is not exactly a devout Muslim, he drinks alcohol, and does not pray five times, but does agree that he will appease Arshad, without whose approval the marriage cannot take place. Shortly thereafter Mahmud, while going over his recently deceased mother's documents, will find out that he was adopted, his birth parents were Jewish, and his name is actually Solly Shimshillewitz.

A couple meet on a blind date and go from introduction, seduction, relationship, boredom, to break up - in 9 1/2 minutes.

Devoutly religious Ruth returns from Israel to care for her dying mother, but when she tries to bring her estranged brother David back into the fold, in accordance with her mother's wishes, the result is a startling journey into the darkest realms of sexual obsession: a forbidden game under the guise of religious law. Dark, ambiguous and distinctly adult, this study of belief and desire, set in the cloistered world of London's Orthodox Jewish community, thoughtfully explores the links between faith and violence, denial and longing.

Two time-traveling tourists from the future visit present day London.

Married couple Appignanesi and Baum an English literature university professor, attempt to figure out their relationship on screen, involving an angst-riddled trip to the United States.

Set against the real-life contemporary art world, Female Human Animal is a psycho-thriller about a creative woman disenchanted with what modern life has to offer her.

Rufus Stone is a short film about “love, sexual awakening, and treachery.” According to Director Josh Appignanesi, “the story dramatizes the old and continued prejudices of village life from three main perspectives.

A film about memory, loss and survival; Eva Lipszyc is a survivor, but she is now locked away in the twilight world of Alzheimer's disease. We see the world from her point of view, at her eye level, and we see how a chance encounter with a caring young nurse breaks through the barrier

A creative documentary about becoming a parent... and how to reconceive yourself. Fiction director Josh Appignanesi turns the camera on himself and his wife as they undergo the ordeal of becoming parents in the era of man-children and assisted reproduction. Faced with fatherhood, Josh spirals comically into an envious career funk. But life-threatening complications emerge- the couple are tested to the brink, confronting shattering losses. It's a portrait of our generation going through a revolution in reproduction- forced to find new ways to think about ourselves as creative beings. We hear from Slavoj Žižek, John Berger, Darian Leader (20,000 Days) and Zadie Smith. Universal yet still taboo, it's a film for everyone who has children, wants them, or still feels like a child themselves.

The story of Shmilu, a Hasidic Jew in crisis, torn between his community and the romantic possibilities of trendy East London.

With his innocuous selfie-stick, Josh moves unnoticed through Dubai's seductive slickness and comes face to face with the irony of an oil baron hosting this last-chance climate saloon in a techno-utopian leisure city built in a burning desert.

What does it take for us to act on the climate crisis – especially if we’re the kind of person who should already be acting? In this funny, relatable portrait, a concerned yet ineffectual dad finds the first step is letting those unbearable feelings of climate anxiety in, instead of pushing them aside. But as he meets others like him, he discovers how oil-backed propagandists funded our denial and paralysis. He sets out to unmask the vested interests responsible, helping raise a generation’s leading authors in a vibrant chorus. MY EXTINCTION is a revealingly honest account of how to feel your feelings, act on your privilege, and get active when threatened with extinction.