Jean-Pierre Drouet

In eighteenth-century France, a girl is forced against her will to take vows as a nun. Three mothers superior treat her in radically different ways, ranging from maternal concern, to sadistic persecution, to lesbian desire.

Gorgeously shot in the wide-open Siberian wilderness this outdoor adventure chronicles the dramatic escape of a big-city bred violinist from a Siberian labor camp. Underlying the action is the tale of a man who learns to become one with his environment rather than trying to dominate it. The story begins as enigmatic, Asian tribesman Toli comforts the starved violinist Dimitri that they will be escaping soon. They get their chance when a beautiful herd of Yakut horses begin grazing placidly near where the two are toiling. Sneaking away from the others, they grab tow hand steeds and race off. Unfortunately, Toli is mortally wounded. Just before he dies, he tells Dimitri that he is a powerful shaman and then hands the fiddler a protective amulet. In this way, Toli becomes Dimitri's guardian spirit. The city youth will need all the help he can get as he and his horse must traverse the unforgiving wilds and keep away from guards, alone.

In a house half devastated by a cataclysm, men and women take inventory of the sonic rubble of their memory during a musical ceremony.

Deval shot “Héraclite l’obscur” in Tunisia in 1967, with his then-girlfriend and editor Jackie Raynal, in 35 mm and in color. He was the first Zanzibar member to shoot a film not only outside of Paris but also in an exotic location. “Héraclite l’obscur” is described by its author as a “philosophical peplum”. – spectacle theater

Following the May 1968 civil unrest in France, two theater groups rehearse plays by Aeschylus while two solitary individuals wander the Parisian streets hustling the populace for cash.