Gildo Bocci

Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.

Salvatore and Romolo are two young and poor young men that are neighbours and friends. They live with their parents in Piazza Navona, Rome. They are poor but handsome, and both fall in love with Giovanna.

After a series of misunderstandings and other unfortunate incidents, the honeymoon of two young couples ends sooner than planned. Back at their starting point, the ensuing conflict leads to one of the couples separating. Salvatore, who moves away, is hit in the street by a car and loses his memory: he has lost his memories of his friends and family - until he meets his wife Marisa, in which he falls in love again ...

Totò is a tailor but not a great tailor. He is married and his son is to be baptized and Totò hopes that his grand-mother will be moved by the baptism, so moved to help him. Unfortunately his wet nurse Maria loses his son in the garden. Totò doesn't lose heart and rents Rita's daughter and leaves looking for his son. Many adventures are awaiting for him.

These are the years of the Second World War, and Toto is imprisoned in a concentration camp, suffering the harassment of Colonel Hammler, a Nazi cruel and despotic.

Travelling family man Paolo agrees to pose as husband to an unwed pregnant girl he meets on a train. However, once faced with her father, things do not go as planned.

Greedy Baron Antonio Peletti refuses to give to his town the heredity left by his father, a box full of precious jewels, which he keeps for himself. The major and the rest of the townspeople therefore organize a trick at his expense: they'll make him believe he is dead, and, in a fake "afterlife", they'll try to convince him to finally show them where the money is hidden to save his soul.

Romolo and Salvatore look for jobs to impress their girlfriends, but things get complicated when their old flame Giovanna reappears.

A musical comedy divided into five segments: Mariantonia, Cuttica, Il Fine Dicitore, Fregoli and Il Censore.

Two American sailors, Fiorello and Jimmy are slugged while sight-seeing in Rome and, together, they dream they are back in Rome in the days of Nero.

Gaby is expelled from school after a married teacher commits suicide after telling her he can't live without her. Though she has done nothing, she is punished for his act.

Carmine Gallone and Amleto Palermi’s The Last Days of Pompeii 1926 stages in sumptuous colour tinting the epic fall of the ancient city buried by Mount Vesuvius’ eruption. Adapted from Edward Bulwer-Lytton’s love story, the film was innovative in its special effects and an early major box-office hit. A beautiful tinted restoration print was prepared using photochemical processes by Centro Sperimentale di Cinematografia-Cineteca Nazionale in the mid-1990s and the premiere screening of the restoration print was held in the amphitheatre in Pompeii, followed by a screening at the major restoration festival ‘Il Cinema Ritrovato’ in Bologna in 1998.

A man and a woman would like to get married, but lack the necessary funds for the traditional "big" wedding. Thus they plan to escape to the countryside and "live in sin".

In ancient Rome, tyrannical Emperor Caligula is assassinated through the machinations of Messalina. She then makes a conquest of Marcus, who forces the Senate to name her husband, Claudius, as emperor. Messalina's wicked ways continue when she falls in love with Ennio, a slave. Ennio is also loved by Egyptian princess Mirit, but he loves neither of them, preferring the company of Ela, a Greek slave.

Gianna, a young radio singer, marries Giulio, director of a travel agency. Soon after, they welcome a child. The tranquility of their family life is deeply disturbed by the arrival in Rome of a French tourist, Giselle, who falls madly in love with Giulio. He reciprocates her feelings and becomes her lover. Gianna separates from her husband and devotes her attention to the child, while Giulio begins to live with Giselle. But the thought of his family leads Giulio to ponder severing ties with his lover. Unexpectedly, Giselle's lifeless body is found in Giulio's apartment. Evidence points to Giulio's guilt, so he attempts to escape abroad. Giulio is involved in a car accident close to the border, nearly killing him. In the hospital, it is revealed that Giselle was killed by her former Parisian lover. Healed of his serious wounds, Giulio returns to the affection of his wife and little daughter.

Hyacinth, a former matador who lives miserably with his nephew Pepote, receives a letter reminding him that, as agreed a few days before, he must participate in a bullfight to be held that same afternoon.

Garibaldi, after landing in Marsala, moves on to Naples. The liberals are overjoyed but the Bourbons are terrified. The so-called Baron Tucci, on a recommendation from England, arrives at the home of Count Sereni, a notable liberal. But he turns out not to be a patriot who has returned to Italy to take part in the fight but a degraded Bourbon official who has been promised rehabilitation if he can succeed as a spy. Tucci discovers old Sereni's second wife is one of his former lovers and persuades her to murder her husband so as to gain his inheritance. She does indeed cause the count to die, by withholding his heart medicine, but not before he destroys his will.

Based on a Victor Hugo play, and scored with music from the later opera by Giuseppe Verdi, the film tells about a hunchbacked clown whose beautiful daughter falls in love with the lecherous king.

A Sicilian professor who moves to Rome gets lost in the maze of Roman ministries and gives in to corruption.

"The Roman Banquet, the golden glories, the unrivaled luxuries, the wine, the dance, the song, the beautiful women, the sumptuous splendors that taxed a barbaric world for a night of feasting and revel-- Re-created for your entertainment in the most colossal drama produced", reads an ad in the Daily Argus of New York. Unione Cinematografica Italiana's lavish production of the oft-told tale stars Emil Jannings as Nero.