Paul Paviot

One of the first filmed portraits of a jazz musician.

This comedy short subject satirizes the Hollywood genre which the French had given the name to of Film Noir.

In a settlement in the northern mining country. The Marles, Bréhard and Gohelle families wake up and prepare for a new day at work. The young engineer Larzac, newly appointed to the mine, will soon oppose the authoritarian and conservative methods of his superior Dubard. Georges Gohelle would like to marry Marie Bréhard, but housing difficulties thwart their plans. Brezza, a Polish immigrant, who must return to his country, would like to hate his marriage to Louise Gohelle. Roger, Marie's little brother, has just turned 14. He does not want to go down to the mine as his elders have always done. He will however have to resign himself to it. Marles evokes for him the social struggles of 1906. Roger is injured during a landslide. In front of his family and his friend Marles, who had come to the hospital, he announced his decision to continue his profession. Larzac, invited to the Marles, reveals that he refused a quiet position at the Charbonnages de Paris. He too stays.

ORTF adaptation of a work by Tawfiq al-Hakim.

Chris Marker’s travel essay Sunday in Peking transforms a long-held childhood dream into a cinematic journey through Beijing. Blending documentary observation with reflective narration, Marker captures the city’s rhythms, traditions, and everyday life in mid-1950s China with his signature curiosity and lyricism.

Educational short about the films of the Lumière-Brothers.