Sinéad O'Connor

Young orphan Heathcliff is adopted by the wealthy Earnshaw family and moves into their estate, Wuthering Heights. Soon, the new resident falls for his compassionate foster sister, Cathy. The two share a remarkable bond that seems unbreakable until Cathy, feeling the pressure of social convention, suppresses her feelings and marries Edgar Linton, a man of means who befits her stature. Heathcliff vows to win her back.

Albert Nobbs struggles to survive in late 19th century Ireland, where women aren't encouraged to be independent. Posing as a man, so she can work as a butler in Dublin's most posh hotel, Albert meets a handsome painter and looks to escape the lie she has been living.

Francie and Joe live the usual playful, fantasy filled childhoods of normal boys. However, with a violent, alcoholic father and a manic depressive, suicidal mother the pressure on Francie to grow up are immense. When Francie's world turns to madness, he tries to counter it with further insanity, with dire consequences.

Matt Hobbs is a talented but unsuccessful actor. When estranged (and strange) ex-wife Beth dumps their daughter Jeannie on Matt, father and daughter have a lot of adjusting to do. His budding relationship with attractive production assistant Cathy Breslow is made complicated, while the precocious child is overly accustomed to getting her own way. Matt eventually faces the choice of family vs career in a particularly difficult way.

In this documentary, artist-filmmaker Nicholas Hondrogen asks people to describe memorable moments of their lives. Some, such as Norman Lear and Indian activist Russell Means, talk about religion, while composer Philip Glass and film-producer Irwin Winkler discuss the births of their children. Pastor Jess Moody recalls WW II deaths of his friends, and artist Janice Blake remembers being raped.

1980s Derry: Goretti Friel, one of a spirited group of teenage friends, meets Ciarán at her Irish language class, and romance blossoms. When he is arrested and imprisoned by the British army, Goretti is dismayed to find herself pregnant. Left to deal with the crisis alone, she is tormented by the conflicts of her growing belly and the influence of a Catholic upbringing.

Malcolm McLaren, writes, directs and narrates the "history" of Oxford Street. With musical performances by The Pogues and Kirsty MacColl, Tom Jones, Sinead O'Connor, Happy Mondays and more.

The Value Of Ignorance (1988): Jackie - Just Like U Said It Would B - Mandinka - Just Call Me Joe - Never Get Old - Jerusalem - Troy - I Am Stretched On Your Grave The Year Of The Horse (1990): Feel So Different - The Emporers New - Clothes - I Want Your (Hands On Me) - Three Babies - Black Boys On Mopeds - Irish Ways - I Am Stretched On Your Grave - The Last Day Of Our Acquaintance - Nothing Compares 2 U - Jump In The River - Jerusalem - Troy

The story of Claire Randall, a married combat nurse from 1945 who is mysteriously swept back in time to 1743, where she is immediately thrown into an unknown world where her life is threatened. When she is forced to marry Jamie, a chivalrous and romantic young Scottish warrior, a passionate affair is ignited that tears Claire's heart between two vastly different men in two irreconcilable lives.

TFI Friday was an entertainment show broadcast on Channel 4 in the United Kingdom from 1996 to 2000. The show was produced by Ginger Productions, written by Danny Baker and hosted by Chris Evans, for the first 5 series. The final series was hosted by a number of guest presenters. It was broadcast on Fridays at 6pm from 9 February 1996 to 22 December 2000, with a repeat later that night. The title officially stood for "Thank Four It's Friday", but was widely understood to mean "Thank Fuck It's Friday" and was a reference to the popular phrase "Thank God it's Friday". The show's theme tune was Ron Grainer's theme from Man in a Suitcase, in keeping with Evans's frequent use of 1960s television themes in his work.

The Word was a 1990s Channel 4 television programme in the United Kingdom. The show pushed forward the boundaries of youth TV, always coming close to going too far.