Lotfi Abdelli

After a tempest, fishermen do not find only fish in their nets. That is what happens to Jafaar, a poor fisherman who lives poorly in Gaza. And what he hauls in is really upsetting: imagine that, a pig! An unclean animal judged impure not only by the Faith of Islam but also by the Jewish religion. Determined to get rid of the animal, Jafaar tries desperately to sell it, first to a United Nations official, then to a Jewish colony where Yelena raises pigs not for their meat but for security reasons. Of course, going unnoticed in the company of a "forbidden" animal, among his Palestinian brothers, past Israeli soldiers and under the scrutiny of Islamic fundamentalists is no bed of roses and a series of misadventures await Jafaar.

It is early summer, exceptionally hot and humid. Malek is living on the ground floor of an old building by the sea, single with no family ties. She is frequently mocked by her friends, Khaled and Azza, because of her passions for Roman mosaics and for spying on her strange neighbors. It is the day- to- day life she has chosen. But when night falls, the wild violent rowing she hears from behind her neighbors' closed door plunges her into fits of anguish. Dark memories resurface. She is sure there is a Monster living in her building. It sends her messages, enters her apartment when she is away. The day she met Jihène, a new tenant, who she immediately befriends, was the day the monster came knocking at her door.

Four women meet at Dar Joued on the eve of Independence. With different ages and social conditions, they are condemned to live together under the authority and injustice of their jailer: "El Jaida". They will share memories of the outside world, joy, emotions and distress of their daily lives.

Mathieu, a young ambitious actor, struggles to put together his showreel. His friend Ousmane offers him a role in his rap music video, but the shoot doesn't go as planned.

During the Second World War, in 1943, Anne Frendo, a young dreamer and artist, living alone with her father in Tunisia, discovers, by chance, the lifeless body of a French soldier, parachuted in. At the invitation of her aunt, Sophie Frendo, an Egyptologist, she sets out on a journey that leads her to Sfax, Egypt, taking with her a letter that the soldier had begun to write, and which seems to be intended for her.

A hybrid documentary/drama feature combining a fictional story about a Tunisian community disrupted by an American film crew with the real-life saga of director Ridha Behi's efforts to make a movie with a dying Marlon Brando.

Young Theo is sent on his first trip with his Maltese sea faring family, but things go terribly wrong when the 'Simshar' sinks, leaving the crew stranded in the Mediterranean... Simultaneously, Alex - a medic reluctantly dispatched onto a Turkish Merchant vessel which has rescued a group of stranded African boat people between Malta and Italy - gets stuck on the boat as the countries wage a bureaucratic war over who should take in the migrants... The stories unravel in parallel and culminate tragically when the fishermen are traced down, but by that time there's only one survivor.

The poet Jean Sénac, also a radio host, chose to stay in Algeria after his country's independence in 1962. Ten years later, a protester and libertarian, he was monitored by the regime's police. His poems attract a popular audience and his show is a real success with young people. Also, when Hamid and Belkacem, two students, learn that the play they wrote and presented at the first national Algerian theater festival is downgraded under the pretext that they performed it in French, their pain will be alleviated by the presence behind the scenes by Jean Sénac who congratulates them. The latter will become close friends of the poet and witness his fight for the freedom and culture of Algerian youth. A fight which would lead Sénac to martyrdom: one night in August 1973, he was assassinated in the cellar which served as his apartment. Hamid is accused of the murder.