Julien Gaspar-Oliveri

Céline, 32, is expecting her first child. But Céline is not pregnant. In three months, it is Nadia, her wife, who will give birth to their daughter.

Marianne, a heroine for a day, is interviewed by a young journalist. Despite of all the misunderstandings, a meeting takes place, brief, tenuous, human.

Joseph isn't particularly happy, even though he's good at hiding it. The day his brother dies, he becomes certain he'll miss out on his life. So that it doesn't slip away from him, one night he gives in to his desire.

Nineteen-year-old Enzo and his twenty-year-old sister Carla have been left to fend for themselves for several years. When their father, Anthony, is released from prison, Enzo sees the fragile promise of a family to rebuild, unlike Carla, for whom the idea remains inconceivable. Haunted by his past, Enzo must confront a truth he has kept hidden for far too long.

A family, who celebrates the mother's birthday, tries to pick up the pieces.

A comedy that follows a young man's journey over the course of a day. For his birthday, he buys himself a second-hand scooter as best he can - a vehicle that belongs in a scrapyard rather than on the road.

As an unforgettable storm lashes the Breton town of Perros-Guirec, a ten-year-old boy goes missing.

Elisabeth Raymond has left us... To add to the misfortune of the villagers, the body of the teenager has disappeared. Her boyfriend Victor is devastated. Fortunately, André, Elisabeth’s big brother, is there to support him. The two boys go looking for the body. But what they don't know is that Elizabeth has returned from the dead.

With their flair for engaging storytelling and a renowned love and respect for literature and the arts, the French Boys have something for everyone. Featuring five captivating stories set among rolling hills, village squares and the rooftops of Paris - the birthplace of cinema has never looked this inviting. The short films are: Beauty Boys (2020); Freed [Baltringue] (2019); So Long, Paris! (2020); Sunset Cemetery [Extérieur crépuscule] (2020); Vincent Before Noon [Vincent avant midi] (2019).

Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.

In the maternity ward, Céline awaits the arrival of her first child. It is Jeanne, her partner, who will bring her into the world. At night, in the entrance hall of the hospital, she meets men who are waiting, like herself.

Jean, a young videographer, turns to arms and revolts after the death of a friend during a police arrest. While imprisoned and awaiting trial, spirits visit him.

Seven days in the life of a boy in reparation for lovesickness, what does Benjamin do with his body to overcome absence, lack and oblivion?

Piche, a bearded drag queen and rapper from a Gypsy community in Arles, rises from the rupture of her father cutting ties in adolescence to the 2024 Olympic opening ceremony. With her mother Nadia and twin brother Morgan by her side, she dares to defy norms and becomes a leading voice of the queer revolution.

Adam Vollmann is 40 years old; he is a journalist for the web editorial staff of a major national daily newspaper. One morning, the portrait of Axel Challe, designated as the main suspect in the murder of a young girl, in Guerches-sur-Isoire, appears on the television screen in front of him. When he insisted to his editor-in-chief to go straight away to report there, he explained to him that he was from there, that he grew up there. What he doesn't say is that he knows Axel Challe well: he was his friend. Even more, Axel Challe was the demigod of his childhood.

A dozen high school students in a theatre elective find themselves stuck with a substitute teacher for a month. As they recite Shakespeare from a safe distance, the teacher abruptly interrupts their rehearsal. In an age where young people hide their emotions behind a mask, their heads either too high or too low, the question of intimacy becomes increasingly inescapable.