Dominika Kavaschová

On Christmas Eve 1944, the devout Kubis family gathers under one roof despite divided loyalties: their youngest is a partisan, the eldest a guard, the daughter an Aryanization beneficiary, they sit with a Nazi guest, and the prospective bride is a communist. As the war’s end draws near and the front collapses, conflicting convictions and survival instincts force the family to confront moral compromises and the inevitability of sacrifice. What will each confess at midnight mass when duty to family, faith, and conscience collide?

The film shows how we often complicate our own lives and overlook what truly matters. Two friends, Veronika and Klára, return home to a series of family and social gatherings - three weddings and one funeral - that turn their worlds upside down and lead them to discover love, happiness, and their place in life.

The shouted teacher Dušička is not having the best time of his life. He is going through a crisis with his girlfriend who wants to own him. He has problems at school, forcing him to change the way he teaches. He worries about his neighbors, who impose middle-class principles on him. And to top it all off, he finds a live horse at his home for Christmas. The situation is all the more absurd because he lives in an apartment on the second floor of an apartment building. Dušička has no idea how the white man got to him, who he might be, and he has no idea how to get rid of him. But the presence of the circus clown becomes not only a source of bizarrely comical situations, but also a catalyst for his relationships. Dušička recognizes the true face of the people who surround him. Because in a heated situation, everyone loses their masks. He begins to understand that his environment forces him to make compromises that are against him.