Rafaël Ouellet

After a lengthy virtual relationship over the Internet, Milena and Philip take the plunge and agree to finally meet. Having lived in Montreal for over a decade, Milena, an immigrant of Bulgarian descent, accepts to greet her correspondent Philip, a flirtatious photographer from Sofia. Out in an isolated cottage in Quebec's countryside, the couple abandon themselves to one another. Between periods of cultural clashes and fleshly pleasures, the two assess each other and the possibilities for true love. But strange, uncanny events soon disrupt Milena and Philip's quiet intimacy as secrecy and silence slowly set in -nihilproductions

The Arsenaults, a close-knit family who profit from illegal hunting, have ruled the roost for several generations in Témiscouata, Quebec. The return to the fold of Anthony, the impetuous youngest of the family, then the arrival of Émilie, a radio host who exercises an ascendancy over Anthony and his older brother Adam, will come to test the harmony of the clan.

The twenty-something Betty comes to a remote small town and strikes a friendship with the fourteen-year old local girl Lea, who is fascinated by her new friend's tales of partying and living in the fast lane in the big city. Betty has ulterior motives for befriending the young girl, however.

With his marriage to Audrey almost at an end, Ben begins a torrid affair with Mercedes, a young French student in his writing class. The affair soon spins out of control, their emotions and Ben and Audrey's family hanging in the balance.

Louis-José takes a stand: yes, he admits, he describes himself as slow, going against the grain of his time where immediacy is valued, thus justifying his affection for this underestimated and unloved month. Captured in September 2018 at the legendary Capitol Theater in Moncton.

It is a question here of deploying all the humor inherent in the act of having a first child at the age of forty-five... But it is also a question of civic-mindedness, respect for intelligence, weight words, the weight of the self, the triumph of the “I”, then a little bit of Henri Richard and people who say “knock on wood”. A vibrant soliloquy on life and the art of living it.

Truck driving is all sixty-year-old widower Germain has ever known. When he is involved in a head-on collision that leaves a woman dead, his quiet life is suddenly thrown into a tailspin.

Mathilde, a marginalized teenager, must move to the countryside with her family for a reason she would like to bury deep inside herself. Upon moving into her new home, she discovers that a ghost lives there. This ghost is that of Isabeau, a very friendly and sympathetic 19th-century woman who has modernized over her 150 years of wandering. These two characters will become friends and help each other through (one) life and (the other) death. While unraveling the injustices they have experienced, rooted in their respective eras, they develop deep bonds that will allow them to find peace.

Without shame, she does not hesitate to lay herself bare and talk about the flaws, the differences and the oddities that spice up her life and those around her. Apparently Korine grew up in a home for the elderly and it colored her life; his family takes photos at funeral homes; and, in all her splendor, she sleeps with an occlusal plate. Self-deprecation could be her middle name.

Two estranged sisters reconnect in the wake of their mother's death in this intimate tale of musical healing. It's been years since Brigitte has seen her sister Candide or their recently-deceased mother, though when she is called on to sing at the funeral her since of duty supercedes any lingering family conflicts. But it's obvious that Candide harbors a lingering grudge, and as the alienated sisters come together in grief at their mother's country home unspoken hostilities gradually simmer to the surface. Both siblings are noted singer songwriters; Candide specializing in a more delicate brand of acoustic ballads and Brigitte using her talents to exorcise a lingering inner rage. The history of their relationship is written in Candide's lyrics, providing remarkable insight into the sibling's stormy relationship. Eventually, Brigitte discovers a tape of her mother's old music, leading the two sisters to collaborate on a song that could finally help to begin the healing process.

Our Lady Peace is a Canadian rock band. Live was recorded during their cross-Canadian "Fear of the Trailer Park" tour in support of their 5th studio album, Gravity. It was recorded over three dates and at venues in Edmonton and Calgary, Alberta and Montreal, Quebec.

This fifth solo show is a personal story, a short treatise on the disappointments, the distractions and the choices at the heart of the atypical life of a privileged person. Captured on 16mm motion picture film at the Cabaret Lion d'Or in May 2022.

Justine Laurier, an ex-Canadian soldier, just inherited her father's shares of Blue Moon, a security company that carries out sensitive operations for the Canadian government. While Justine discovers what Blue Moon is all about, she receives troubling information regarding the death of her father. Alone, she must find the truth in a universe of lies.

The Cheval-Serpent is a male strip club with a sulphurous reputation whose success cannot be denied thanks to the work and vigilance of its owner and manager. But a change at Montreal's City Hall has repercussions on the bar and puts the institution in danger...

Frédérique Lessard, three-time Olympic medalist, is retiring. She decides to leave her spouse, with whom she had planned to start a family. Faced with emptiness, she will discover that life is not a race and will have to learn to live without performing. Freely inspired by the life of Marianne St-Gelais, but also by several Olympians.

Six strangers are invited to stay at the prestigious estate of a billionaire. The helicopter transporting them is forced to make an emergency landing. What can an ex-policeman, a religious art dealer, a retired teacher, a marketing director, a star criminal lawyer and a businesswoman have in common that they are trapped in this way?

Veille sur moi is the story of Maggie (Guylaine Tremblay) and her grandson Zack (Jérôme Hébert), whom she has been taking care of alone for three years, ever since her daughter Corinne (Pascale Renaud-Hébert) entrusted the child to her by disappearing into the fog with Joey (Guillaume Laurin), her toxic partner. But one afternoon, Zack and Maggie see their daily lives completely turned upside down when Corinne returns, now sober and separated from Joey, with the desire to pull herself together and take care of her son. This return, as much feared as desired, will have serious consequences.