Bogdan Mureșanu

Two quarreling youngsters get into one cab at night without knowing that the driver is madly desperate to re-conquer his ex-girlfriend and willing to do anything to have her back; including a car crash.

A father recounts to his daughter the extraordinary journey of four young explorers throughout the world. Fascinated by this story, the little girl will discover that the adventure told to her by her father is at border between reality and fiction.

Sulina, 1910. It is the inauguration of the first electric power station in this Romanian port city. In the jubilation of a modern and cosmopolitan crowd, Ilarion, a prestidigitator from another time, tries to play his last card.

The New Year That Never Came is a tragicomedy whose action takes place in a single day, before the revolution of 1989, in which the characters search for normality, safety, love, freedom and meaning in an absurd world.

The journey of a woman scientist who, at the end of times, discovers that true Faith can bring Miracles.

A son's letter to Santa for Christmas turns his father's evening into a thriller he did not ask for.

Marta, a woman battling dementia, seeks refuge from the harsh reality of her illness and the confines of a nursing home. As her memories blur, she retreats into the warmth of her happiest moments, where the past offers the only escape from a world that no longer feels like her own.

In May 2013, a house was to be demolished. A few artists were called for proposals in what was to become a one-off during a day and a night exhibition about loss and disappearance.

The film follows the life and work of Romanian visual artist ION GRIGORESCU, one of the pioneers of experimental art in Europe. The film discusses our evanescent existence, morality, and spirituality and interrogates the possible extent of the inglorious recollection of our own biography.

At the beginning of 1991, after the Romanian Revolution, an old barber meets by chance his former torturer who came in for a shave. Quickly, the parts are inverted though the client refuses to acknowledge that he has been recognized. He says that it is a mistake but to no avail because the barber is convinced he is right. And while latter holds the razor against the client's neck, he gets scarier and scarier wishing for revenge and payback time. Will the victim spare his former torturer?

A study, in the form of an experimental film, on a couple's relationship in which the sentimental distance is increased by the forced approach in a confined space.