Choi Byung-chel

Disgusted with the behavior of his young step-mother, Sang-tae does a little digging into her past and discovers, among other things, that she may have killed her former lover.

Beginning with the suicide of a film director, this work represents the Korean New Wave Cinema movement that focused on criticizing the Korean society in the 1980s through satire and humor. The journey taken by the characters, who lead low lives at the margins of the society, award them with a sense of liberation, however brief.