Tore Svennberg

An alcoholic, abusive ne'er-do-well is shown the error of his ways through a legend that dooms the last person to die on New Year's Eve before the clock strikes twelve to take the reins of Death's chariot and work tirelessly collecting fresh souls for the next year.

The Forshyttan steel-mill has been owned by the Ancker family for generations. But competition is hard. When the son Bengt Ancker comes back from abroad he has an idea for success: a lighter steel with better quality. But a lot of money is necessary to develop his idea and the only way to raise the necessary capital is to sell the company to their competitor - Manchester Steel Company. But the workers are concerned that this could threaten their job-security

A cynical woman with a disfigured face—a hardened criminal—gets an opportunity to change her ways when she meets a sympathetic plastic surgeon. She leaves her old life behind, but soon her old friends catch up with her.

This is the story of Olof Svensson who works as a streetcar conductor in Stockholm. In his free time he is a music composer.

Hjalmar Björklund and his daughter Margit runs a second-hand bookshop in a small Swedish town.

Daniel has reluctantly followed his father into the priesthood. After graduating, he comes to a parish in Hälsingland. During one stormy night, Daniel and Karin, a resident of Hälsingland and old friend, are both overcome with emotion and sleep together. Filled with regret over breaking his vows, he runs out into the dark night and is struck by lightning. He loses his memory and is taken to a distant hospital to recover. Meanwhile Karin gets pregnant and has a child. Eventually Daniel comes back and when he meets Karin his memory returns.

At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”

Two riders on their way to Warsaw stop at a monastery for the night and ask an old monk there to tell them the story of its founding.