Alba Gaviraghi

In 2006 Santiago, 16-year-old Antonia defies her single mother in search of her absentee father, hoping to secure permission for a school trip to Argentina. Along the way, she reconnects with a half-sister she never knew and ultimately learns that her mother’s love may be the only anchor she needs.

Sofia is a vampire, she's prisoner of a chat program called SISTEMA ALMA, that forces her to use her career as a pop singer to attract teenagers yearning to be killed and give them death.

Picho tries to get a profile picture that represents him, while the family WhatsApp chat demands him to be present at the vertiginous loss of autonomy of the grandfather. Between missed calls, bombardment of images, emojis and stickers, we access the digital intimacy of a young man conflicted with the expectations of others and his own.

In a house far from Santiago de Chile, little Alonso tries to change the fate of his sister Daniela, still just a child, who is about to become the seventh wife of the Lion of Judah, a supposed prophet, leader of a cult, who apparently provides electricity when he is touched.

Antu has been living in her occupied school for months, which she and her classmates took over. As her mother’s birthday approaches and rumors of eviction grow, Antu is faced with a choice: she stay in the own world she and her friends have created, or return home?

In a country at the world's end, the highest authority of the Catholic Church lands. The Pope comes to bring the word of God, but Chile awaits him with the most important religious crisis in its history.

In 2019, a nationwide movement forms in Chile to create a new constitution. For three years, the film accompanies indigenous, feminist, militant, legalistic, anarchist and conservative activists. A timely large-scale canvas of democratic protest.

A director's love letter to his neighborhood: its people, his house and his family.