Rodney Beddal

A young woman spends an adventurous winter with a trapper on Spitsbergen.

Two young lovers whose romantic dreams were shattered, are reunited years later in this sweeping story of fobidden love.

In Amsterdam - in the time before the legalisation of some drugs and the following growth of competition on the market - takes place a war between the Italian and Chinese mafia because of the control of the heroin market.

Based on the writings of: J.G. Ballard, Charles Manson, Jeffrey Dahmer, Henry Rollins, Roberta Lannes, Edmund Emil Kemper, etc. The structure of this film is literally that of the title: ten monologues adapted from various fiction and documentary sources which combine to produce an unsettling work that does not pretend to analyse nor to understand the serial killers.

Onno (30) applies for a dream job as curator in Amsterdam's Rijksmuseum. He makes it through to the last round with the arrogant yuppie Alex. The younger and self-assured Alex seems to have a better chance of getting the job and Onno will not tolerate that. A few days before the last interview, he kidnaps his opponent and locks him up in a remote cottage that his girlfriend has just inherited near a railway line. As soon as he gets the job, he releases his victim. Three years later - Onno now lives together and has a son - he is a successful curator at the Rijksmuseum and needs an assistant. While interviewing applicants, he is confronted with Alex, now blind in one eye.

A mysterious foreign woman who is staying temporarily in a house there. Who she is and what her secret is are both slowly revealed in the reconstruction of a story about passion, revenge and war. Paul Ruven's homage to the films of Marguerite Duras and Chantal Akerman.