June Haver

Jim and Connie's postwar New York building troubles keep Jim from working on his novel. Ex-WAC from Jim's army days Roberta moves in, further upsetting Connie but pleasing Jim's friend Ed. Tenant Charley, who marries tenant Eadie, loans money to Jim to help him keep the building, money which this Casanova obtains from rich widows.

A soldier falls for a chorus girl and then experiences trouble when he is posted to the Pacific.

A biopic of the career of Joe Howard (12 Feb.,1878 - 19 May, 1961), famous songwriter of the early 20th Century. Howard wrote the title song, Goodbye, My Lady Love; and Hello, My Baby among many others. Mark Stevens was dubbed by Buddy Clark, well known singer of the 30's and 40's

Period musical about a song plugger who vows to turn an opera composer's music into popular hits.

The oddly-assorted Hart cousins: revue singer Blossom, con man Harry, and machinist Chiquita (who gets radio through her teeth!), inherit southern plantation Magnolia Manor, which alas proves to be a "termite trap" and tax liability. Fortunately, Sgt. Rocky Fulton from a nearby army camp appears with a plan to convert the place to a hotel for army wives; but to pay bills until then, they decide to put on a show. Of course, romantic and military complications intervene...

Stage-and-night club star Jeannie Laird buys her first home, and everyone who is anyone comes to her first garden party only to be blinded by smoke from next door. Jeannie charges next door to bawl out her new neighbor and meets comic-strip artist Bill Carter. Bill has devoted himself to his strip, and raising his ten-year-old son Joe since the death of his wife. Joe bases his strip on the everyday happenings of he and his son and is proud of keeping it scrupulously honest. When Jeannie and Bill fall in love, young Joe is hurt, especially when Bill starts using a lot of the father-son time to be with Jeannie. Bill cancels a father-son trip to Canada, and Joe decides to write a letter to Bill's syndicate pointing out that the current plot line of the script being set in Canada isn't honest, since they didn't go.

Bill wants to join the Army, but he's 4F so he asks a wizard to help him, but the wizard has slight problems with his history knowlege, so he sends Bill everywhere in history, but not to WWII.

This 1963 documentary, released less than a year after Marilyn Monroe's death, showcases the star in memorable scenes from her 20th Century Fox films, including wardrobe tests and clips from her last, uncompleted project, "Something's Got To Give". Hosted and narrated by Rock Hudson.

Three sisters go to Atlantic City with hopes of finding rich husbands.

'Sparke' Thorton, a lad with a penchant for trouble, is sent to live with his Uncle and Aunt Bolt in Indiana after his Aunt Henrietta Bolt dies. Though he's not happy about the arrangement at first, his love of horses and his affection for a young filly that he plans to race make life bearable. He also finds romance with tomboyish 'Char' Bruce who shares his love for horses.

Light-hearted, old-style romance about a farm-hand who arranges to buy a pair of mules from his employer. No one is able to handle the mules and he must train them. Adding to his dilemma, he pursues his boss's daughter who gets her kicks out of keeping him guessing about her true feelings. Of course, at the end he tames both the mules and the girl.

Two sisters from Hungary become famous entertainers in the early 1900s. Fictionalized biography with lots of songs.

Climbing to fame, Irish-American composer Ernest R. Ball romances a showgirl, who catches the eye of an underworld character.

I'll Get By is an updated remake of the 1940 20th Century-Fox musical Tin Pan Alley. William Lundigan and Dennis Day play William Spencer and Freddie Lee respectively, successful song publishers who make hits out of such numbers as "I Got a Gal in Kalamazoo", "Deep in the Heart of Texas", "You Make Me Feel So Young", "There Will Never Be Another You", and other favorites (the rights to all of these songs were conveniently held by 20th Century-Fox). The partnership has some hard times, especially during the feud between ASCAP and the radio networks, when only public-domain songs like "I Dream of Jeannie" were permitted to be broadcast.

After getting her start in her parents' vaudeville act, Marilyn Miller is taken under the wing of dance sensation Jack Donahue. He senses the girl's enormous talent, and before long she's performing on Broadway. There, she is extremely successful and finds love with songwriter Frank Carter. Yet obstacles remain for the rising star, especially when he proposes marriage just before he's set to be deployed in World War I.

Aided by her eccentric friends, a young woman goes looking for her missing brother.

An Irish horsecar driver's daughter meets New York showman Tony Pastor and goes into vaudeville.

The Lucy–Desi Comedy Hour is a collection of thirteen one-hour specials airing occasionally from 1957 to 1960, and originally served as part of Westinghouse Desilu Playhouse. Its original network title was The Ford Lucille Ball-Desi Arnaz Show for the first season, and The Westinghouse Desilu Playhouse Presents The Lucille Ball-Desi Arnaz Show for the following seasons. It was the successor to the classic comedy, I Love Lucy, and featured the same major cast members. The production schedule avoided the grind of a regular weekly series. Desilu produced the show, which was mostly filmed at their Los Angeles studios with occasional on-location shoots at Lake Arrowhead, Las Vegas and Sun Valley, Idaho. CBS reran the show under the "Lucy-Desi" title during the summers of 1962-1967, after which it went into syndication.