Harry Leon Wilson

In this comedy of an Englishman stranded in a sea of barbaric Americans, Marmaduke Ruggles – a gentleman's gentleman and butler to an Earl – is lost in a poker game to an uncouth American cattle baron. Ruggles' life is turned upside down as he's taken to the USA, is gradually assimilated into American life, accidentally becomes a local celebrity, and falls in love along the way.

An American actor, impersonating an English butler, is hired by a rich woman from New Mexico to refine her husband and headstrong daughter. The complications increase when the town believes the actor/butler to be an earl and President Roosevelt decides to pay a visit.

A grocery clerk, longing to become a cowboy actor, goes to Hollywood in search of fame and fortune. Unfortunately, his acting ability is non-existent.

An Italian immigrant studying the law gets mixed up with crooks.

A hypochondriac is afraid he will die before he gets an inheritance that will "cure" him.

Because he refuses to be a tool for a political mob, Watts, an ex-senator, is relegated to the public wastebasket. When he opposes a rival politician in a mayoral campaign, Watts evokes the public's sympathy and is elected to the mayor's chair, again becoming a power in local politics.

His Majesty, Bunker Bean is a 1925 silent film comedy directed by Harry Beaumont and starring Matt Moore. It is based on a 1916 play, His Majesty, Bunker Bean by Lee Wilson Dodd, taken from a novel Bunker Bean by Harry Leon Wilson. It was produced and distributed by Warner Brothers.

Andrew Gibson inherits problems when his father dies and leaves shares of his piano manufacturing business to his workmen. To add to his troubles, Andrew's girl, Nora Gorodna, is being pursued by José Ferra, one of the workmen; and Lila Normand, a society girl, tricks Andrew into proposing.

In 1915, Kansas theatre usher Merton Gill is a rabid silent-movie fan. When he brings Mammoth Studios free publicity by imitating star Lawrence Rupert's heroics, they bring him to Hollywood to generate another headline; he thinks he'll get a movie contract. Disillusioned, he haunts the casting offices, where he meets and is consoled by Phyllis Montague, bit player and stunt-woman. When Merton finally gets his "break," though, it's not quite what he envisioned.

An English valet brought to the American west assimilates into the American way of life.

A fairly conventional romance of an American heiress, loved by boy back home, bedazzled by a glamorous prince in beautiful Italian surroundings.

Wrongfully blamed for the death of Col. John Randall, Cameo Kirby (Gilbert) must find the true villain and clear his name before he can declare his love for Adele (Olmstead), the dead man's daughter.

Rufus Billings was born premature and after a lifetime of doctors doting on his frail health he is now a hypochondriac of the first order. Now an adult Rufus has learned his late father has left him $750,000 but he won't inherit the sum for three more years. Rufus is certain he is on death's door and will never last three years so his Doctor arranges for a loan of $100,000 to pay for a live in nurse. Rufus only has to sign over his inheritance to the greedy trio of Clinch, McIntosh and Peck who along with the doctor are confident he'll live long enough to pay his debt.

A shy office worker becomes a hero when a fortune teller calls him another Napoleon.

Bashful stenographer Bunker Bean, works for wealthy businessman Jim Breede by day and by night theosophist Prof. Balthasar, who convinces Bean that he is the reincarnation of Napoleon and, more remotely, of the great Egyptian king Ramses. His courage much bolstered by this revelation, Bean begins to deport himself with unaccustomed dignity and becomes a regular visitor to old Breede's estate, where he successfully courts the boss's daughter, "The Flapper."

Harry Leon Wilson has written nothing more diverting than this story of the irreproachable English valet who is lost in a poker game to a rough-and-ready westerner and taken to Red Gap ultimately to become its social mentor and chief caterer, and there is sheer delight in the story of how the Earl, brought over to save his younger brother from the vampirish clutches of Klondike Kate, makes the lady his Countess and once more stands Red Gap upon its somewhat dizzy head.

A wannabe film star journeys to Hollywood, but soon finds his dreams do not pan out. This film is lost.

A farmer from Vermont travels to New York and becomes a successful singer in a nightclub.

Cameo Kirby, an honest riverboat gambler who works the Mississippi, rescues a girl from a gang of ruffians in New Orleans, but she disappears after he sings her a love song.

Cameo Kirby is a 1914 American drama silent film directed by Oscar Apfel and written by Clara Beranger and William C. deMille. The film stars Dustin Farnum, Fred Montague, James Neill, Jode Mullally, Winifred Kingston and Dick La Reno. It is based on the play Cameo Kirby by Booth Tarkington and Harry Leon Wilson. The film was released on December 24, 1914, by Paramount Pictures.