Federico Jacobi

Fede, a young bicycle delivery guy, leads a simple and carefree life, traveling around the city daily to deliver orders. One day, in the midst of his routine, he's assigned a delivery to a luxurious house where he meets Josefina, a girl from a wealthy family and surrounded by comforts. From their first encounter, a spark of attraction arises between them, despite belonging to completely different worlds.

Román, who is dedicated to the protection of political leaders and tries to develop himself as a trainer and manager of boxers, is harassed by a duo of abusive representatives who in turn have been hired as a shock force by an opposing political party.

After being diagnosed with pelvic contracture, Maga begins treatment with a physical therapist who is secretly an apprentice dominatrix. The encounter leads to a night where roles are blurred and both transform their relationship and those around them.

A closeted young woman runs into her girlfriend at the same restaurant where her family is, and both of her worlds unexpectedly collide.

Ezequiel, a 40-year-old film director, has had a career marked by successes and failures.

Nachi is a twenty-six years old dissatisfied with her present. But when she meets Nina, a rapper with whom she has her first lesbian experience, she has an opportunity to rethink her life.

Bruna is a young and beautiful actress in the making who has just separated from her boyfriend and is going through a period of deep melancholy. A late encounter with her ex gives her the strength to turn her experience into a play in which life and fiction intermingle.

In a medieval dungeon, a prince has been imprisoned for more than twenty years for an alleged crime. His testimony supports some fantastic facts, which is why he is identified as a person possessed by the devil or insane. A sorcerer, spokesman for the King, visits him periodically to achieve his improvement, so that the prince is released and is in a position to become the future king. The prince is not willing to deny what he saw. But the sorcerer offers him a deal that puts the values, truth and justice of the entire kingdom at stake. Príncipe Constante reveals the true story behind a lie that accompanied us from our childhood until today. But now the truth is known.

In the revolted 70's in Argentina, teenage Graciela is an artist and a poet. She and Julio, a charismatic student leader, are brought together by their ideals for social justice. Her poems reach young musician Flecha, who dreams of singing them for a roaring crowd. As the times grow harder and more dangerous, friends are persecuted, Graciela and Julio protect each other, but the dictatorship kidnaps them. Graciela's mother desperate search for her daughter brings her together with the Mothers of the Plaza de Mayo, who's relentless clamor for their missing children is only met with more terror and death from the bloody dictatorship. 35 years later, that mother publishes a book of Graciela's poems, and brings it to Flecha, now an accomplished musician. He turns them into songs that let her words live and fly.

Eloísa is an employee at a sweater store, but her passion is visiting the stable run by her friend Julio. Her life is transformed after the departure of her sister, who leaves her daughter Mora in her care. This way, Eloísa will enter her niece’s unknown children’s world.

Three men spend their days in a dying gas station, on the side of a wrecked road, on the outskirts of a small town. The three men resist and wait. They spend their time in fortuitous, random or miraculous things, hoping that something will free them for this situation. One day, the opportunity they were waiting for appears, in a different way than they imagined. Now, they will have to find out if they're ready to take advantage of it.

It narrates the last days of the life of a man who lives alone in a house totally deteriorated by the passage of time and neglect. The man changes his attitude in the face of death, which affects the tense relationship he maintains with his son.

A girl comes to town to work as a dancer, an entrepreneur of the night becomes his manager. A journalist in decline, looking for the news that catapults him. All three converge in the VIP Sector, where human trafficking, fake news and transgressions of power coexist.

Santiago and Amelia Luisa share life in their marriage and also the responsibility of running a nail salon. The daily life of the salon (and of the couple) will be strangely shaken when a new client asks for manicure services.

Pilar sets out on a journey from the capital to the center of Buenos Aires Province. During her search, she must deal with the past through the insistent audios of a man.

Paula has never met her mother, her father is already old, and that meeting is urgent for her. Along the way, she picks up clues that bring her closer and take her farther away from her goal, in a physical journey through Buenos Aires’ geography.

Crossed paths, forms of love. Grandma Carmen’s 80th birthday celebration will bring together several generations of women from the same family in a seaside hotel. A weekend, a family. Different paths, forms of feminism, ways of relating.

Damiana is a married couple who, on a visit to Cambodia, are shaken by the revelation that the woman (Laura Nevole), sick with terminal cancer, makes to her husband (Juan José Vidal): she She lived in that country in the past, fell in love with a Khmer and had a child with him, something that her current partner was completely unaware of.

José Celestino Campusano is preparing a new film. To do so, he summons a group of men including Vikingo, his usual actor. The four of them reflect on their origins, violence and cinema.

Vero lives with her older brother Abel, and they both work together at a construction site. There she has to put up with the advances of some of the workers, which is something she’s used to doing because she’s had this job since she was a lot younger. In the Border follows this character on her path to becoming a better person, which is represented in her way of helping a cousin with an abusive husband and in the NGO she signs up for to give food to the homeless who live on Paseo Colón Avenue. But there’s another parallel film here, and it’s the one in which Campusano’s eye captures the City of Buenos Aires in his own unique way. One of those great moments takes place as soon as the film begins, when Campusano stops to film some street musicians while they rap on a subway platform.