Carsten Winger

The movie takes place on Oslo's east side sometime during the twenties. It depicts the workers' environment by traditional elements like unemployment, strike, poverty, alcoholism, absent fathers, wise and tired mothers, the dream of a better life and the friendship between the boys in the street.

In "Skadeskutt" we follow the couple Einar and Else Wang in a painful drama about love, happiness, sorrow and eternal damnation. About a couple's struggle trying to get pregnant and the despair of not succeeding. About psychological disorders and the society's insane judging of people with such problems. A nationwide press was impressed with "Skadeskutt". The director Edith Carlmar, one of the first female directors in Norway, was compared with Hitchcock for her work. For actor Carsten Winger, his portrayal of the character in the movie was considered a victory and a big achievement. "A sure success", "Impressive" and "A victory for Norwegian Films" are some lines from the critics. "Skadeskutt" is one of the breakthroughs within Norwegian film making.

A princess falls in love with a man of the people, and their love must be a secret. But when someone takes a photo of them together, the scandal is a fact.

In suburbia Solbråten has some residents received bildilla. The otherwise wayward husbands forget their obligations for both work and home. There is also a great contest in having more cars in their recovery than neighboring upswing.

Shipping broker Landheim tries to save a failing theater, but falls in love. Is the broker a journalist, and the actress a prima donna? Who knows?

The Olsen Gang realizes that cash is obsolete with the current inflation rate, and plans a coup for property and bonds. They make a fake company and tries to buy Oslo's biggest shopping mall, Steen and Strøm.

Not until four years after The Fox's Widow was the third fairytale movie, The Seventh Master of the House, released – Caprino's personal favourite. This is a wonderful fairytale and a sharp satire on everyday bureaucracy. Caprino knew all about that – in fact, you might say that the movie was an indirect stab at the bureaucrats who had considered all his funding applications.

Askeladden (Norwegian "The Ash Lad") is the main character in many Norwegian folktales.