Jos Stelling

When Daantje was a withdrawn child, her mother told him that somewhere there was a girl waiting for him who danced beautifully. As an adult, Daantje is a lonely homeless person who happens to meet the former ballerina, Natasha. At first, the woman does not pay much attention to Daantje – the young man is a bit strange. Besides, Natasha has emotional hardships in her relationships. Then an event occurs that makes her want to return to her homeland immediately. Daantje goes with her.

In «The Gallery» Gene finds himself the sensual object of a beautiful woman's desire. So when, suddenly and unexpectedly, she begins to strip for his pleasure ... one good turn deserves another ...

The film takes place in a small cafe on the forecourt. When Gerard, one of the regular visitors, appears in the cafe to inform him that he is leaving, the usual course of the cafe's life suddenly breaks.

A woman gets off a train by mistake and finds herself stranded alone with a peculiar man who doesn't even speak her language.

Late 16th century, persecuted protestantism and general dissatisfaction with the Catholic Habsburg rule in the Netherlands lead to large-scale plundering and vandalizing of churches, only harshening the Spanish Inquisition, sparkling the Eighty Years War.

Young people meet in the local pub and pretend a lot more than they are. Mostly their swanky conduct is touching and affecting. There is a lot of attention for the clothes, hair-dress, music and cars of the sixties. Some of the amateur-actors became later well-known Dutch actors and directors.

An older film critic's life is interrupted by an unexpected visitor.

Two brothers end up separated for one of them has mental issues. Meanwhile one of the two follows his dream in becoming a magician.

A vagabond travels through medieval Holland.

A chance meeting between Nicolai and Nina, a friend from the past, makes Nicolai return to an abandoned hotel in which, many years ago, he experienced his only love, full of tragedy and an overwhelming feeling.

A large train station, it might be anywhere in a big city. Waiting passengers, some are curiously observing each other, some are too much involved with their own petty problems to pay attention to anything else. Our man, self- assured, practically undresses some of the woman present with his eyes, at least as long as his wife is absent, trying to get them some coffee. A beauty in blue returns his challenging looks, he can hardly believe it's true. Obviously, it is his lucky day today. By the time his wife returns our man has experienced some astonishing things under the watchful eyes of the fellow passengers. And most probably he will be much more reserved next time he sees a beautiful blonde.

An acknowledged master of the short sans dialogue, Jos Stelling won a bundle of awards for THE WAITING ROOM at festivals in Holland, Russia, and Switzerland. And if you thought that richly inventive spoof of the leering macho in God?s Little Acre, the crowded waiting room of your local railway station, was one of the luniest Erotic Tales ever made, then buckle your seat belt for a ride down Life?s Great Battlefield: the expressway during rush hour! Take the boredom of the slow lane, add the spice of one-upmanship, top it off with a delightful girl-boy butting match, and what?s missing? A layover at the next gas station.

In the final year of his life, Rembrandt painted a series of self-portraits that show him in a dark, lonely state of mind. Stelling has painstakingly recreated the pathetic end of a genius with an authenticity that allows viewers to infer their own conclusions about the relationship between Rembrandt's life and art.

After being chased from her uncle's home by her scolding aunt, the young Mariken wanders outside of town and encounters Moenen, the devil disguised as a one-eyed, itinerant scholar, who offers to teach her magic and the seven liberal arts in return for her submission.

An international anthology series of short films by acclaimed directors, alongside a few unrelated adult features and TV projects.