Walter Tiepelmann

In August 2017, Theo Montoya found a protagonist for a feature film: Camilo Najar. The following week, he died from a heroin overdose. Who was Camilo?

At a film festival, a filmmaker tries to figure out what the jury is looking for in order to win the award. But the fear of failure threatens to ruin more than just his career, while the search for recognition throws his own desires into crisis.

This documentary takes two women, Norma and Cachita, the first legally married lesbians in Latin America, back to the place where they first met thirty years ago.

The city, the crowd, the individual. Everything unfolds on two pedestrian streets in the heart of Buenos Aires: Florida and Lavalle. Observational documentary about a critical space filled with dissonance, incompatibilities, and absurdity. A territory overflowing with voices, images, and cries for help. The center of vertigo and towering cosmopolitan buildings forms the labyrinth where the city screams and falls silent, reveals and conceals. Streets in agony speaking about us, their inhabitants.