Maxì Dejoie

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

Two women, a psychologist and a police officer, engage in a challenging mission - to reduce the record suicide numbers in their rural hometown in Lithuania. Valija and Gintare provide door to door empathy and compassion, healing the loneliest members of their community. As fear of losing another life reaches its peak, the women form a resourceful friendship and together they succeed to ease the crisis and prove that suicide prevention can be effective. The observational camera makes the audience witness and finally understand how they really succeeded in tackling this complex issue.

A television crew decides to make a documentary about the spread of a new, highly transmissible virus responsible for Gerber syndrome—a disease with devastating effects. Through the accounts of three people closely affected by the condition—a doctor, an infected young woman, and a young security guard—the crew discovers that no authority has ever told the truth about the situation and that the virus has already infected a large portion of the population, spreading even through a simple handshake.

To say life in Vilnius, Lithuania, during Soviet occupation was tense would be an understatement. People were followed and photographed; restaurant dinner plates were bugged to catch potentially illicit conversations; car accidents were staged to waylay people while surveillance equipment was installed in their apartments; and many were detained, interrogated, imprisoned, or worse. Through expertly assembled KGB archival footage, earnest present-day interviews, and cleverly crafted returns-to-the-scene-of-the-crime, directors Maxì Dejoie and Virginija Vareikyté present an acutely compelling contemplation of a “non war” from both sides.