Jimmy Olsson

Victoria is disabled and yearns for intimacy, so her assistant Ida offers to help by making a Tinder profile. Victoria gets a match, but the guy she is matching with is very shady, and Ida worries about what might happen if they meet.

It is an ordinary day at the bank. A somewhat stressed young man makes an entrance and sits down among the other waiting customers. When it is his turn at the lady cashiers he suddenly draws a pistol and declares it is a bank robbery. It is a situation that could have terrifying consequences if it was not for the the cashiers unusual take on the situation.

Charlotte has got a new job as a second grade teacher. One night she is attacked by a nazi and is severely injured. When she comes back to her students she discovers that one of her students is the son of that nazi.

On the night bus the atmosphere is stubborn and legitimate. A stupid teenage girl is kept upright by an even boy. A man feels forced to intervene and prevent something that could happen. Unpleasantly realistic and threatening where civil courage is treated in a single long run.

Ceasar is home with his mother and watching TV. He is turning 18 and will be out at the pub with his mates. His mum accompanies him on this because he lost a bet to her. This leads to something very revolutionary in Ceasar's life.

When Philip moves into a corporate apartment for a project, his only company is his piano keyboard. Missing his girlfriend back home, he composes a song for her, but when he can't get a bit right, a better variation plays through the wall from his neighbor.

An investigative journalist tracks down an embittered Karlsson-on-the-Roof, who has been banned from flying because he was classified as a heavy drone.

Palmegruppen has tried to solve the murder of the Swedish prime minister Olof Palme for over 30 years now. What do they do all day? Who are they? What happens if they close down without solving the case?

An objective, fictional and completely true account of when the Sockerdricka rush wears off and our most beloved characters have to grow up. We meet a forgotten Pippi Longstocking, the traumatized financial shark Alfie Atkins and a bitter Karlsson-on-the-Roof who has been banned from flying. But what is really left when the spotlights go out and the game is over? Jimmy Olsson, who was once Sweden's foremost investigative journalist, decides to get to the bottom of this central question.

The investigative journalist is back to find out what happened to the children's book character Alfons Åberg.

It’s the weekend when Jenny is going to play an away-game in basketball and her father John comes along. John wants quality time with his daughter, but Jenny would rather hang out with her team mates. This weekend nothing turns out like they thought and the distance between father and daughter has never felt bigger.

Director Jakob is in the middle of recording when he becomes obsessed with the authenticity of a cosmetic hickey. Despite repeating his mantra of assuming responsibility, he soon oversteps all boundaries and ends up in a pinch with his own self-image.

Investigating journalist Jimmy Olsson wants to find out what happened to Pippi Longstocking after we left her in her childhood. How was her teens and what happened to her relationship with Tommy and Annika? How is she doing today?

Unemployed journalist Jimmy Olsson is going through a life crisis and turns to art, but discovers that all cultural institutions have closed down. When the TV news announces that the Ministry of Culture has become a subdivision of the Ministry of Finance, he realizes that something must be done. Accompanied by the artist Anna Odell, he gets the idea to create a documentary that not only depicts the dismantling of culture but also articulates the importance of art. Lena Endre, Olle Sarri, Magnus Krepper and Marie Göranzon are just some of the many well-known names that appear in this burningly current depiction of the future where the distance between art and politics is much shorter than an arm's length.