Uttam Guha

A story of Bangladesh’s liberation war of 1971. Where two doppelgängers encounter each other in the war camp. The film revolves around their friendship & journey after the war.

The story of the life of Lalon Fakir, a great mystical saint, poet and folk singer, who is legendary in his native Bangladesh.

Shirja Mia is grave digger. He begs from village to village to get death news. Now he has only two things in his life. One is a doll which he bought for his daughter and other is a number which he has got from his ancestors. His ancestors believed that if someone could dig hundred graves he would surely be placed in heaven. But no one could ever reach the target. When shirja was young he came to a Char and got married. They had a lovely daughter named Rahela. He had to go to town for work. Rahela asked for a doll from the town. One day Shirja bought a doll, but he couldn't come back to Char due to bad weather. Next day he heard that the tidal bore had washed out the Char. Later he came back to Char. But he didn't find his daughter and wife anywhere. The Char was full of dead bodies. At that time he started digging graves. When one grave left to reach the hundredth, he falls in big crisis with a girl like his daughter. Will Shirja be able to complete one hundred graves?

It is a film about a left wing leader, who like a Greek tragic character, fought against his destiny all along his life. While portraying the man’s struggles the film deals with the anti-British Swadeshi movement, the 1947 Partition of India, Tebhaga movement of the Bengal peasants, creation of Pakistan, killing of the political prisoners inside jail in Rajshahi and finally the liberation war of Bangladesh against Pakistan in 1971. The film also reveals the love and sacrifices of this star-crossed man.

The story of a drummer and his family during the Liberation War of Bangladesh in 1971.

Two parallel lives, separated by five decades—one enduring the struggles of the 1971 Liberation War, the other facing challenges in modern times. As their stories intertwine, both discover the strength of resilience.

Religious prejudice and racial dogmatism are the curse of Mohanpur, a backwater village out of touch with progress in the contemporary world. But, as depicted in the film Brihonnola, humanity has the strength to combat and neutralist the poisonous effects of these evils on the lives of the villagers.

The first film made in Bangladesh about Cerebral Palsy.