Francesca Comencini

Twenty-five films from twenty-five European countries by twenty-five European directors.

A devoted father working in film shares a magical bond with his daughter, but as she enters adolescence and falls into addiction, he takes her to Paris in a final effort to save her and their fading connection.

In the 15th century, in a poor Italian village, the monks of a modest convent take up an abandoned baby. Unfortunately, for all their efforts, they prove unable to trace his parents. So they set up providing tender loving care to the little boy. Marcellino lives a happy life among the men of God but, as he grows up, he misses his mother more and more.

In the late 1990s, in a dilapidated theater in the heart of Palermo, Carlo Cecchi is working on a production of A Midsummer Night’s Dream, the second play in his Shakespearean trilogy, translated by the poet Patrizia Cavalli. Director Francesca Comencini – who sees Cecchi as the last representative of an Italy not subservient to the media and Berlusconi’s power – decides to follow him and is allowed to film the show’s rehearsals, on the condition that she does it all on her own and with discretion.

An unexpected pregnancy and premature birth become a burden that Maria is unprepared for. Lacking control over events for the first time in her life, she retreats into an emotional space where she is alone, until the day arrives when she must learn to live again for the sake of her vulnerable child.

Claudia and Flavio were once passionately in love, but all of that is over. Now, in their fifties, they must venture anew into the world of love and dating once more but for Claudia confronting the end and accepting a new beginning isn’t so easy. Claudia is unwilling to let go and forget the life she’s built with Flavio, while Flavio, eager to move on, soon finds himself in a relationship with a much younger woman. Claudia soon reconnects with Nina, a student from her days as a professor.

A woman comes across the difficulties of modern work: to force her to resign from her job, her firm tries all the humiliation techniques known as "mobbing". The film is based upon real cases reported by Italian unions.

An urban gigolo on the run from a mobster hides out at the remote cabin of a female novelist in this plodding romantic drama. Her neighbors include an elderly man with a penchant for growing sunflowers and an unhappy neighbor girl with emotional problems. Love blossoms for the unlikely couple who somehow realize their liaison is doomed to failure.

Set in Milan, where people's lives are invisibly lead by money in its different shapes: too much, too little, stolen, earned, visible and even impalpable. The money flows from one story to the next, from one person to the other, becoming the engine of the film.Everything moves around two antagonist characters: Ugo and Rita. Ugo is a banker involved in a not really clean business. Rita, the Finance Police officer, is a strong and obstinate woman in charge of capturing Ugo. Other characters wander around them, with their weaknesses and fragility, their goodness, their evil and their contradictions. Characters meet, clash, love and hate each other, their lust for money becomes intense feelings.

At 30, Zeno's father dies, and he realizes that his youth is almost over. Meeting Giovanni Malfenti, a succesful gallery owner with four daughters, he's impressed by Malfenti's energy, and falls in love with one of his daughters. This relationship helps Zeno find peace and direction.

The film recounts Carlo Giuliani’s day of July 20 and, parallel to it, the July 20 of the march of the ‘disobedients’, or the ‘white overalls’, among whose ranks Carlo died. An individual’s story is told in all its absolute concreteness, the friends he meets, the snack bar he goes to for a bite, the roll of scotch tape he picks up on the street; whereas a multitude’s story is told in all its epic tragedy, the night under the rain, the colossal preparation against the march, the advance behind shields, the attack of which the multitude was victim, the defense that gets organized.

Maria studies at the university while her boyfriend Paolo is an established journalist. Both are drug addicts. Maria and Paolo try to detox with the help of a specialized clinic but it doesn't last long: back from a trip during which they proved to themselves that they could resist without drugs, both fall victim to addiction again. The consequences are not long in coming.

Set in 1960, the year of the Rome Olympics, a 13 year-old boy with aspirations to become an athlete befriends an ageing, disabled bus driver who understands his ambitions.

Registe, talking on a blade is an Italian documentary about the Italian Cinema signed by women and about the pioneer of the Silent Cinema Elvira Notari (1875-1946) plays by Maria De Medeiros. The directors interviewed are the most important Italian women directors: Lina Wertmüller, Cecilia Mangini, Francesca Archibugi, Francesca Comencini, Wilma Labate, Cinzia Th Torrini, Roberta Torre, Antonietta De Lillo, Giada Colagrande, Donatella Maiorca, Ilaria Borrelli and others.

In this mildly explicit sexual drama, the lovely dancer Annabelle (Delphine Zingg) has a passionate relationship with an older man but eventually decides to devote her romantic energies to a younger man with whom she has more in common. Between sex scenes, and philosophical discussions between friends and lovers about love and relationships, the viewer is treated to shots of the lovely dancer mulling over her life at various scenic locations in Paris.

Gina and Marco are living in the suburbs of Rome. The two meet on a very special day: their first day at work. They have a future that awaits them and really seems at hand. Gina is about to realize her dream of becoming an actress, while Marco for the first time has found an opportunity that allows him to start dreaming: a job in a car rental company as a driver. They are enabled to know each other since his first duty is to drive Gina to an appointment, and given a delay, they have to share the whole day. This journey will take them from the periphery to the center of the city, will serve both to compare their experiences and think about a future that has already begun...

Based on Robert Saviano's bestselling book, this gritty Italian crime drama paints a portrait of the brutal Neapolitan crime organisation the Camorra, as seen through the eyes of Ciro Di Marzo, the obedient and self- confident right-hand man of the clan's godfather, Pietro Savastano.

In the Wild West in the 1860s and 1870s, Sarah and John have founded New Babylon, a city of outcasts of all backgrounds. Haunted by the murder of his family eight years earlier, Django is still looking for his daughter, believing she may have survived the killing. When Django shockingly finds her in Babylon, about to marry John, Sarah - now a grown woman - wants Django to leave fearing he'll put Babylon in jeopardy. But Django, believing the city is in danger, is adamant that he will not lose his daughter twice.

As long as there is cinema, LE CERCLE will be there. It is the only television program of critical debates 100% devoted to cinema. Each week, it offers fiery, joyful and non-condescending jousts on the films on the bill; and invites with "Le questionnaire du CERCLE" directors to come and share their passion for cinema.

In 17th-century Italy, a teenager learns about her destiny among a family of witches, just as her boyfriend's father hunts her down for witchcraft.