Tatiana Mazú

According to the myth still in force in the coal towns of Patagonia, if a woman enters a mine, the earth becomes jealous. Then, there’s collapse and death. Shady River starts from a dark personal experience to transform in a film about the silence of women who live in men's villages. How to film where our presence is prohibited? How to record the resonances of what doesn’t sound? As the fog and smoke from the power plant cover the town, the voices of the women of Shady River force their way between the white of the ice and the hum of the drilling machines, until blowing up the structure of silence.

The Antes Muerto Cine collective presents an episodic film about nature, technology, politics, violence and affection; about times past and times to come, from the noisy, angry, rebellious present. Rather be dead than policemen, than defeated, than...

The filmmaker decides to make a film in an attempt to remember a dream from his notes: at the crossroads of essay and diary, the film offers a sensitive investigation into the relationship between dreams, animals and the city.

Maximiliano is a psychiatrist who suffers from strange visions of his past. He grew up in an orphanage and then left for the big city. When his adoptive father dies, he goes back to his hometown where he will be reunited with his brothers and discover a dark family secret.

One day, I found a box in the trash with super 8 cartridges and a book entitled “Catalog”. The images could be from a cameraman of the past or the future. What would happen if someone found my life in a SD card in a pawnshop? What would my catalog of images contain? Cities, nature and a diary of a digital memory.

Two women, granddaughter and grandmother, discuss the stories and contradictions of our gender and class, while sewing. Outside, a new generation of feminists takes the streets.