Pedro Fernández

In 1950s Havana, a romance blooms between two young revolutionaries whose clandestine printing press publishes pamphlets meant to stir up rebellion against the dictatorship of Fulgencio Batista. As their popularity grows, so, too, does their revolutionary zeal and their desire to mobilize other urban guerilla units.

A prestigious theater group in crisis prepares for the staging of a famous love tragedy. Mirtha, an actress marked by frustration, decides to leave the theater when a guest conductor offered a starring role. The incorporation of young actors, unscrupulous, and an inspector trigger a series of situations that will endanger the reputation and power of the actress who heads the group.

In the manner of a well run Greek tragedy, leaving aside one of its components, dragging in its passing narrative certainty by the viewer that violent death is the hallmark of so much misfortune purifier, Los Dioses Rotos crowns the very successful arrival of Ernesto Daranas to the feature domains and with it, the team that accompanied him, including the actors.

During the 'Special Period', the members of a funeral procession cross paths with truckdrivers who have to take the same route, and begin to talk about God and the world. They discover that life for both groups has many similarities, as well as a lot of differences.

Directed mainly for kids, the film speaks of a Havana that reveals two distinct faces, from the everyday life of a couple of kids.