Gaël Teicher

A woman discovers curious erotic messages on a lost cell phone in the train. When she meets the owner of the phone, a liberated young woman, the two of them embark on an erotic journey.

From 2016 to 2021, Laurent Achard directed four portraits of filmmakers: Vecchiali, Brisseau, Stévenin, and Mazuy. The fifth (Carax), begun in 2023 at the Villa Medici, remained unfinished. He nicknamed it “The Chairs.” “When we consider how familiar death is, and how complete our ignorance is, and that there has never beenany escape, we must admit that the secret is well kept!” (Jankelevitch)

Jean-Claude Brisseau receives a film crew and some friends at his home to talk about cinema, childhood, time passing by…

Women and men are lost in their thoughts at random hours of the day and streets of the city. From this sudden intimacy, the murmurs of their little inner voice let us hear the anxieties of love.

A portrait of the Larrieu brothers at work shot during the post-production of their film Tralala.

Laurent Achard set up his camera on the set of Paul Vecchiali’s film Le Cancre to capture the director’s creative power. Although Vecchiali’s precision is impressive, Achard also shows moments where his collaborators’ input is essential. Under the director’s eye, the stars are becoming actors again, and Achard revives the heritage of Vecchiali’s '70s and '80s production studio Diagonale.