Marit Moum Aune

Captain Sabertooth and his crew are up against a sunburnt vampire, a manipulating queen, a violent monkey army and two young pirates while on the hunt for the magical diamond.

Are we ever honest enough to be unaffected by lies? This is the question asked by Henrik Ibsen's drama Ghosts (Gengangere). Oswald Alving returns from a bohemian existence in Paris to small-town Norway. Encountering people who do not communicate, Oswald responds by becoming ironic and distant. He gradually learns more of the secrets that weigh on his family, as well as those inside himself. His mother, Mrs Alving, welcomes her much-missed son home - and slowly understands what, or whom, he has brought home with him. Together with the young, critically acclaimed choreographer Cina Espejord, she retells Ibsen's play as a ballet. The pair feel the story is suited to dance because both it's inner and outer brutality can be pitted against the power of dance. Ibsen's Ghosts is an evocative production in a modern dance style. Nils Petter Molvær has composed new music, which he performs on-stage together with Jan Bang.

Lotte and her father moves in with Kristin, a former beauty queen, and her daughter, Vendela. Kristin is grooming Vendela to win the Little Miss Norway contest, and as a result both girls get more and more preoccupied with their looks. When Lotte is allowed to participate in the contest, it soon becomes clear that being too vain can be a frightening experience.

The ruthless owner of a Norwegian fish farming company plans a hostile takeover of her local rival to become the world's largest salmon producer.

The struggle for existence is about the linguist Tomasz Novak (28) traveling from Warsaw to Norway to collect what he believes is a quick buck from a father he has never met. His project is proving to take time and along the way he becomes ever more integrated in the Norwegian society, represented by a privileged and well-meaning group of citizens, which in turn gives us a picture of the current Norwegian life.

At her Norwegian fertility clinic, doctor Elin offers patients a chance to become parents. Elin is always empathetic and professional - yet more than anything, she longs for the same opportunity herself. And as her frustration grows, Elin becomes prepared to risk her relationships and career in order to start a family of her own.