Giuseppe Bertolucci

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.

Young terrorist Laura shoots both a judge and a comrade, and over time her violent act becomes a thread linking the lives and fates of several other women. Each has her own secret, including the lawyer who listens to Laura as if in a ‘trance’: moments before, she discovered her husband was cheating.

Two 20th-century friends accidentally stumble into the year 1492, where they meet a charming teen and try to alter history.

A young man returns to his countryside hometown to investigate the unclear circumstances behind the death of his father, ostensibly killed by Fascists in 1936, before his birth. As he unravels a web of lies that seems to encompass the whole town, he finds himself entangled in the same web.

Father Maurice, a priest living in a residential college for priests in Rome, is called out one day to "exorcise" the devil from someone. The devil turns out to be in the form of a fun-loving man called Giuditta. What Father Maurice doesn't know is that this type of devil will turn his life around.

The first movie directed by Roberto Benigni in four surreal short stories: "Durante Cristo" (During Christ), "Angelo" (Angel), , "In Banca" (At the Bank) and "I Due Militi" (The Two Soldiers). An excursus in Benigni's satirical views on man, religion and society.

"The Man With The Golden Eye" tells the extraordinary figure of Marco Melani through a live projection of materials collected in over ten years of research. Found footage, unpublished interviews with cinema and television personalities, fragments of films, extracts from television programs, photographs, readings and interventions by the author, intertwine giving voice to a chorus of precious testimonies.

Four lighthearted stories set in the idyllic Italian countryside: an old grouch is befriended by a stray dog; a lonely widow spies on her newly-wed son and daughter-in-law; a German tourist tries to seduce a younger nurse. The fourth segment was cut in the US by its distributor Miramax.

Promotional omnibus film, made for the 1990 FIFA World Cup in Italy, featuring portraits of 12 Italian cities.

A young poet falls in love with a sophisticated woman who hates poetry. But the poet wants to win her with poetry — and a bit of help from his mum.

A street strewn with papers. The legs of passers-by. A young man crosses the street. Then we find him in the middle of a discussion with a friend. “Are you still determined to leave? – Yes, I'm leaving today at five o'clock by plane. »

A film of Enrico Berlinguer's funeral in Rome, briefly tracing his career as leader of the Italian Communist Party.

Sofia is a young student in an acting class who learns some of the secrets of the trade from three great actresses: Mariangela Melato teaches her to lie, Stefania Sandrelli teaches her to tell the truth, and Alida Valli teaches her about the illusion of art. Lies, truth, and illusion that Sofia tries to apply to everyday life, to her relationship with her man and her best friend.

A psychologist acquires wife and lover of a friend of him. But he has two more relationships yet. What will he do with four women following him?

We are on the set of "Salò or the 120 days of Sodom". Pasolini lets a small camera team led by the journalist Gideon Bachmann follow him around engaging him in a long and extraordinary interview/conversation. The interview turns into a long, clear-sighted and violent attack on society that accompanies photos of the set in a surprising juxtaposition of film and reality, revealing Pasolini's metaphorical portrait of modernity.

Sofia, a budding young theater actress, unwittingly discovers that Bruno, her beloved acting teacher, is gay. Heartbroken and determined to flee as far away from him as possible, she meets a young girl on the train who gives birth and abandons the baby. Sofia makes a life-changing decision: she takes the child and passes him off as her own son, naming him Bruno.

Ferruccio, who knows everything about camels, and Camillo, who acts as his manager, go to Milan to take part in a telequiz.

The events of Giuliano Sartori, correspondent from Genoa for a newspaper in the capital, involved in a complicated investigation set in a psychiatric clinic. Not a simple Italian thriller but a "Russian doll", an open story with different levels of reading and interpretation, in which the distance between the madness of authenticity of feelings and the sprawling social normality that leads to 'annulment of the person and loneliness. Collaborators on the subject and the script of the film are Bernardo Bertolucci and Enzo Carra.