Ryszard Czubak

As Poland prepares for a presidential election, the country is consumed by political campaigning and media spectacle. Among the candidates is Jan Rydel, an outspoken and unconventional man who openly mocks the political establishment and refuses to play by its rules. As the campaign progresses, Rydel makes an unexpected decision that turns the election on its head. Determined to put his principles into practice, he sets out to give away what he has accumulated, only to discover that helping people is far more complicated than he imagined. His attempt to distribute his wealth brings a succession of eccentric characters into his life and forces him to confront the contradictions of a society driven by bureaucracy, ambition and self-interest.

Twenty years old prostitute and drug addict, Jola, by chance meets Andrzej, a "railway station gay". They try to stay together, in spite of numerous diffculties. They both are carriers of the HIV virus. At the end of their travels they find themselves in the Red Palace - formerly the recreation centre for Party dignitaries, now a home for AIDS sufferers - which is run by father Jan. In the nearby small town aggression begins to grow again the unwanted guests; the house have been promised to the local people for housing purposes... The lives and fates of Jola, Andrzej, and father Jan become increasingly intertwined with one another...

On the way to Warsaw after a crude oil fraud in southern Poland, conman Adam Deren meets singer Liza. He decides to invest his money in a venture deemed to be a failure - a small cabaret where Liza could perform.

Polish businessman Jarek Branicki organizes a beauty pageant. As the man in charge, he expects his girlfriend to win it and suggests this outcome to the judges. At the same time, however, he is on the verge of bankruptcy and tries to escape the country after being cornered by his creditors. Recognized by a passenger on the train, he flees and finds refuge in the underground passages of Warsaw’s central railway station.

A small-time racketeer Stefek evades mob bosses by passing himself off as a mentally unstable cleptomaniac and laying low in an asylum. The racketeer and his closest devotee escape from the asylum and find work at the opera. Stefek becomes stage-doorman and soon discovers that the opera doubles as a brothel.