Frédéric Schulz-Richard

A young actor takes part in rehearsals for a short film, a director's adaptation of a short story by Rilke. The role she offers him resonates with his own life; the characters in the text awaken his own ghosts.

Among the guests who come to the mansion of aristocratic landowner Nikolai over Christmas are a politician, a young countess, and a general with his wife. They dine and discuss topics such as progress and morality. As the debate becomes more heated, cultural differences become increasingly apparent.

Most experiences are unsayable; they happen in a space that no word has ever entered. And still, there are words that connect people over time and shape their lives into having an inextricable link. The journey of three men, part dance into the unknown, part quest for meaning.

A new production center, maybe set in an undetermined future. What is being produced here? We shall find out by following the given traces. Two pairs of hands trying to untangle themselves. A human sheep virtually cut into pieces. A warm welcome to the authors and actors of their lives. Stories being told, their narrators dissected. When the gates open, those leaving Labour Power Plant have been made fit for the demands of the labour market. The next production cycle begins… People with their own wills, interests, and desires are being equipped with the different physiological, cognitive, psychological, and social core competencies to transform them into human resources. Meanwhile, the management is introducing new methods to enrich the products with the innovative features of ‘self-evaluation’, ‘self-optimisation’, and, most importantly, ‘self-fulfilment’. A series of interventions are performed, leading to an assembly that may appear strange at first sight.