Jan J. Vágner

The little mermaid rescues a prince from drowning and falls in love with him. To be with him, she makes a deal with the evil sorceress: her beautiful voice against a life on land.

The television adventure film, based on Verne's novel of the same name, Twenty Thousand Leagues Under the Sea, tells the adventures of three shipwrecked prisoners aboard the legendary submarine Nautilus.

Film crew on the road: Director (Jaroslav Plesl), his Producer (Simona Babcáková), and their Director of Photography (Jirí Vyorálek) and Sound Arist (Johana Svarcova). Starving artists who already have a number of films to their names, Czech Lion award-winning films, excellent reviews and have been screened at numerous festivals, but they don't have audiences. Their next collaborative effort - the Director's lifetime dream - is quickly becoming oblivion because he failed to win a grant, which means it won't be made. And so the frustrated Director and his colleagues await their chance among record-holders of curious disciplines such as crawling with a squash racket or collecting four-leaf clovers. How will the collision of these two worlds end? What will the Director's next film be about?

Dora, a lazy and evil woman, is in love with her servant, Hannes. Hannes, however, loves her sister-in-law, Margareta. When Dora learns about this, she vows revenge against the couple.

In the winter of 1944, chief of surgery at a small-town Czech hospital is suspected of Nazi collaboration by his community.

The story takes place in the small South Moravian village of Mouřínov, where the road ends. The residents long to become a "transit" village, and since there is a champion deer caller among them, they make a great effort to host the European Championship in this unique but interesting discipline. The village is busy with preparations, but that's not all. At the same time, the residents' obvious and unspoken relationships are developing, and just as the preparations affect their lives, their relationships affect the course of the preparations. And one day, the championship finally begins...

The honest and a bit naive director of a variety agency, Jožin Petránek, sits on the qualification committee that judges entertainers and performers of all kinds. The man firmly rejects any favouritism. But at work and at home, he's in for nothing but trouble. The rejected "artists" protest, and Jožin's wife Anna would like to promote her friend's daughter into show business. His new secretary Zuzana starts to seduce him. Petranek finally succumbs to the French chansonnier Madelaine. But Zuzana calls Mrs. Petrankova and she drives her husband away from the table and the bed. Eventually, Jozhin loses his position as director and becomes an ordinary stage recruiter. Now the real showbiz hype is just beginning for him...

Even great love does not necessarily overcome a difference of morals - although the young hero is very much in love, he still rejects the comfortable and easy existence he could lead thanks to the family of his future father-in-law. A tediously moralistic comedy, it picks up with all seriousness the morality of a socialist man who has broken forever with petty bourgeois ideas. It is therefore too contrived, nor does it succeed in elevating the tawdry story in any way. A comedy about life's little and big compromises.