Serdar Orçin

Acting

Serdar Orçin

Born January 21, 1976 · Bayburt, Turkey (age 50)

Serdar Orçin (born 21 January 1976) is a Turkish actor. He is known for Let's Sin (2014), Ali's Eight Days (2009), Barda (2007), and Fate (2001).

Known For

CanCan · 2012
Can
★ 7.02012
MovieDrama
Loving Istanbul couple Ayşe and Cemal need only a child to complete their life together, but they cannot conceive. To salvage Cemal’s pride, they resort to illegal means to procure a baby. This wild grab at a more perfect life proves their undoing, leading the couple to spiral toward separate futures. The couple's estrangement is intertwined with the film’s parallel narrative, in which a distant and neglectful single mom is raising her little boy, Can.
Don't TalkDon't Talk · 2020
Don't Talk
★ 4.22020
MovieDrama
Throughout the movie, we will watch the life of a character whose face will never be seen. We will look at the world through his eyes and will witness the oppression he has experienced. He's only two years old. His excited parents forces him to communicate by saying 'talk'.
FateFate · 2001
Fate
★ 7.22001
MovieDrama
Musa, a customs clerk, sees life as absurd. He drifts with events; his mother's death, though loved, brings him strange joy.
The Third PageThe Third Page · 1999
The Third Page
★ 7.01999
MovieDrama
Isa is blamed for a robbery. He is badly beaten and given twenty four hours to return the money. Instead of finding the money, Isa finds a gun.
The TraceThe Trace · 2011
The Trace
★ 6.22011
MovieDrama
Being at death’s door, Seristan, an old woman in her eighties, wants her son to take her back to her homeland, with the last wish to be buried there. Her son, Mirza, is determined to keep his promise no matter what happens, thereby revealing an inconvenient truth about the roots of the family.
EnvyEnvy · 2009
Envy
★ 5.62009
MovieDrama
Seniha lives with her brother Halit and his wife Mükerrem. When Nüzhet, the handsome son of the richest family in town, sets his eyes on the married Mükerrem, she is at first disgusted with Nüzhet’s overt sexual innuendo. However, it isn’t long before Mükerrem yields to her lust and thus they embark on an affair. When Seniha finally reveals her sister-in-law’s un-virtuousness to her brother, Seniha has no idea what the consequences will be and how cruelly her destiny will change.
Silenced TreeSilenced Tree · 2019
Silenced Tree
★ 4.22019
MovieDrama
A short while after his dominant wife abandons the wimpy and meek Hayati, who is a literary teacher in a patriarchal town, the police find an unrecognized female corpse by the lake. Hayati wants to state that the body belongs to his wife and to take the blame for the murder that someone else committed.
DebtDebt · 2018
Debt
★ 6.42018
MovieDrama
Tufan who works at a small print shop lives in Eskişehir with his wife Mukaddes and daughter Simge. Huriye, their lonely neighbour next door falls ill one night. A doctor recommends that she shouldn’t stay on her own. Tufan takes pity on Huriye, who has no family to turn to, and decides to host her at his house.

Filmography

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The Long Way HomeThe Long Way Home · 2013
The Long Way Home
★ 6.72013
MovieWarDrama
Inhospitable at the best of times, the snow-covered mountainscapes of Eastern Anatolia constituted a fatal frontier for many war exiles after the battle of Sarikamish in 1915, and provides a canvas laced with beauty and threat for this bone-chilling survival yarn, the superb debut feature of Alphan Eşeli. Starting out with three characters – a refugee mother and daughter and their grizzled guide – the film traces their daunting trek across this barren terrain to safety, with the Russians encroaching and other stragglers, including a pair of wounded, frostbitten Ottoman soldiers, all orbiting the same burnt-out village they find in their path. Puncturing its aura of ghostly impasse with some shocking narrative reversals, and constantly prickling with the mutual dread of strangers in gruelling extremes, the movie stakes out hugely credible ground next to established Eastern Front war classics (In the Fog, Come and See) while remaining thoroughly its own beast. (Source: LFF programme)

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