Ján Kroner

A contemporary tragicomedy from a modern city about disintegration of relationship, disintegration of a marriage, and maybe also about the disappearance of basic rules from decent life. A very black comedy about people in their 40ies who already have money, but still listen to rock and roll, exchanging drugs for mobile phones.

This simple story is the feature debut for well-known Slovak theater and television director Juraj Nvota. Set in a Slovak village at the turn of the last century, the story teems with passion, and repressed and hidden emotion. It delves into the search for identity, investigating both love and hatred, while dramatizing the tragic relationship between an adolescent girl (Tatiana Pauhofová) and her ambitious father (Ondrej Vetchý). Set against the striking though simple backdrop of a picturesque, even idyllic, landscape - one ostensibly cut off from any important historical, political, or social context whatsoever - the arrival of an unwanted individual evokes the onset of a cruel drama.

Young blacksmith Mikeš sets out into the world for an adventure, accompanied by the miller's assistant Matěj and the boy Ondra. On their journey to rescue three enchanted princesses, the young men encounter a mischievous old hag, magic, and traps set by the Black King, but most importantly, they face their own temptations.

Woodcutter Ondra, who for his bold nature is called Nebojsa. He goes into the world to learn fear. During his journey, on which he is accompanied by a cowardly thief Ferka, he can deal with a bunch of bandits, vicious mill, fiery rock and eventually he must confront the evil wizard who swore a beautiful princess. Will Ondra do all his courage and ingenuity to liberate Princess?

Zuzana is an attractive and likable art student who works alongside her studies because she would like to start a life of her own. Like many young people, she is trying to find what would fulfill her, what she would like to do, find out who she would like to live with. She runs away from one lover in Bratislava to another in Paris, she is at work when she should be at school, she sleeps when she should be at home, she travels the world. She simply often feels two syllables behind. And not just literally when working in dubbing, but figuratively in his own life.

Pepe and Prengel, returning from war, meet Ester and both fall in love with the girl and live together in a deserted house. Fanatic communist, Zelmira, wants to turn their world upside-down.

A retired soldier, Martin, is returning home after twelve years of service. On the way, he stops in a small Wallachian village, which is ruled by a stingy and ruthless fojt with the help of a sycophantic scoundrel and the local priest. Martin witnesses how he takes the only cow from the widower Kryštof and his five children for a few pennies, how he denies payment of the debt to Jura and Juříček, who then force them to work in his forest for free, how he denies his share of the inheritance to his brother Štěpán, who is in love with the charming Anička. Martin does not want to let all this go by so he decides to help the villagers and punish the fojt. Soon, strange things start happening in the village and the fojt is increasingly afraid that the devil is behind everything. In his place, Martin appears with a cunning plan, the main part of which is a recipe for axe soup.

Bratislavafilm is a feature documentary about the time that captures life at present. One day in terms of mobsters (Banana (mafstory), Peter Batthyánya), also from the perspective of a taxi driver (Joseph Kapec), which is experiencing a marital crisis and life of a young drug dealer (Michael Nemtuda), who lives on the "other side" of the city in PETRŽALKA this entire story path connects the man who comes to Bratislava for work and his ideas consist of the ideal city. The stories intersect and result in a drama. (The official distributor of text)